Category: Features

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Review of Back to the Land of the Living by Eva Crocker

Editorial assistant Tommy Duggan reviews Back to the Land of the Living by Eva Crocker (Anansi, 2023)

Eva Crocker’s Back to the Land of the Living begins with our protagonist Marcy Pike moving to pre-COVID Montreal from St. John’s on a journey of self-discovery and newfound independence.

Excerpt from "Readiness Quiz" by Shirley Harshenin

Excerpt
"Readiness Quiz: Are You Ready to Start Writing About Past Trauma?" by Shirley Harshenin

 

PURPOSE

To assess your readiness to write about a traumatic past event. This selfassessment quiz requires you to revisit, in manageable increments, the scene/ event/memory and the associated emotional, psychological and/or physical responses of the past incident you wish to write about.

PREPARATION

Chris Benjamin: A Richly Layered Study of Poverty and Trauma, Review of The Raw Light of Morning by Shelly Kawaja

The Raw Light of Morning, Shelly Kawaja’s debut novel and winner of the $12,500 BMO Winterset Award in 2022 for outstanding literary work by a Newfoundlander or Labradorian, is at the same time a compelling story of domestic violence, poverty, and trauma, and a 1990s western Newfoundland coming-of-age character study of a young woman of remarkable resilience. This is Laurel’s story, and she is 14 in the opening scene, and forced to intervene to protect her mother from life-threatening violence.

Carol Bruneau: Writing Bareback Review of World Naked Bike Ride by Lisa Fishman

Who can resist the title of this debut short fiction collection? Like cyclists in the eponymous event — a protest against fossil fuel consumption, among other things — Lisa Fishman’s 40 pieces, a collage of micro, flash fiction and narratives of greater length, flout convention. Vanity of vanities, the Pushcart Prize-nominated poet seems to say of the standard short story and its clothing/trappings.

Clarissa Hurley: Squinting Through the Smoke, Review of Cocktail by Lisa Alward

The epigraph to Lisa Alward’s new story collection, Cocktail, is an epiphanic moment from Virginia Woolf ‘s To the Lighthouse, in which the artist Lily Briscoe strives to resurrect and memorialize her dead friend through painting her portrait. Moved to uncharacteristic emotion by a sudden realization of the brevity of life, Lily laments, “Was there no safety? No learning by heart of the ways of the world?

Ian Colford: A Tragedy of Colossal Proportions, Review of The Broken Places by Frances Peck

The natural disaster has been a trope in fiction (and movies) for decades. Usually what happens is that a group of strangers becomes isolated by an unexpected and massively destructive event. The ensuing drama chronicles the efforts of the unlucky individuals to cope with the challenges, dangers and deprivations they suddenly find themselves facing.

Current Issue: No. 305