Category: Features

Welcome to the spring issue of The Fiddlehead, which features Jaeyun Yoo’s Ralph Gustafson Prize-winning poem, “have you seen my father.” Congratulations, Jaeyun! And congratulations to everyone who took the risk of sending their work into the contest. Big thanks to Kirby, Sadiqa de Meijer and Rebecca Salazar for their work as judges of the shortlisted poems.

Editorial Assistant Anastasios Mihalopoulos' Interview with 2023 Fiction Prize Winner Melissa DaCosta Brown whose story "Husbands" was published in Issue 298 (Winter 2024)

Anastasios Mihalopoulos: The opening of your story references Crystal Lake from Friday the 13th stating that this place was horrifying “but not in that way.” Do you see this story interacting with the horror genre or our general definition of ‘horror’ in a particular way?

Editorial assistant Tommy Duggan reviews Back to the Land of the Living by Eva Crocker (Anansi, 2023)

Eva Crocker’s Back to the Land of the Living begins with our protagonist Marcy Pike moving to pre-COVID Montreal from St. John’s on a journey of self-discovery and newfound independence.

PURPOSE

To assess your readiness to write about a traumatic past event. This selfassessment quiz requires you to revisit, in manageable increments, the scene/ event/memory and the associated emotional, psychological and/or physical responses of the past incident you wish to write about.

PREPARATION

In A knife so sharp its edge cannot be seen, Erin Noteboom merges her background as a particle physicist with poetry. She excavates intangible and indescribable moments from scientific experiments to blur lines between worlds that otherwise seem separate.

Excerpt
"Husbands" by Melissa DaCosta Brown
Winner of the 2023 Fiction Prize

The Raw Light of Morning, Shelly Kawaja’s debut novel and winner of the $12,500 BMO Winterset Award in 2022 for outstanding literary work by a Newfoundlander or Labradorian, is at the same time a compelling story of domestic violence, poverty, and trauma, and a 1990s western Newfoundland coming-of-age character study of a young woman of remarkable resilience. This is Laurel’s story, and she is 14 in the opening scene, and forced to intervene to protect her mother from life-threatening violence.

Who can resist the title of this debut short fiction collection? Like cyclists in the eponymous event — a protest against fossil fuel consumption, among other things — Lisa Fishman’s 40 pieces, a collage of micro, flash fiction and narratives of greater length, flout convention. Vanity of vanities, the Pushcart Prize-nominated poet seems to say of the standard short story and its clothing/trappings.

I could think of no better way to begin this review than by diving immediately into the free-flowing, elusive, and mystical current that is Alycia Pirmohamed’s mind in her debut book, Another Way to Split Water.