Category: Features

Found 299 results: showing page 9 of 30.

Gary Barwin: A Radiant Incipience: Build a Wind Turbine or Get Out of the Way, Review of Plenitude by Daniel Sarah Karasik

Daniel Sarah Karasik’s Plenitude is not only a cogent articulation of trans experience, identity and rights, but an incisive systemic reading — often a socialist or Marxist reading — with several side trips to consider Jewishness. By situating gender, queerness and identity within the larger context they bring a broader analysis of how culture can subsume and often commodify the personal. And because this is poetry, we’re aware that the tropes of lyric positionality (including the lyric “I”) are also implicated.

Emily Skov-Nielsen: “What am I / Water’s Bitch?” Review of Wet Dream by Erin Robinsong

While considering my sprawl of notes from my reading, and re-reading, of Erin Robinsong’s second full-length book of poetry, Wet Dream, and wondering how to begin this review, I called to mind the following quote from Lewis Carroll’s Alice in Wonderland:

“Curiouser and curiouser!” Cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English), “now I’m opening out like the largest telescope that ever was!”

Kevin Bushell: Poetry — not a jeux des mots but a weapon used to battle for historical truth, Review of The Ventriloquist: Poetic Narratives from the Womb of War by Gary Geddes

The current geo-political events in Ukraine make the release of Gary Geddes’ latest collection, (The Ventriloquist: Poetic Narratives from the Womb of War (Rock’s Mills Press), all the more timely. Geddes has gathered in this one collection four previous books on the theme of war: Letter of the Master of Horse (1973), War & Other Measures (1976), The Terracotta Army (1984), and Hong Kong Poems (1987).

Amber McMillan: Review of Dream of Me as Water by David Ly

David Ly’s latest poetry collection is an exacting, linguistic dreamscape that reveals a hand-wringing insistence on getting it right: not by way of laboured, elaborate plots or pointed specificity, but instead by whittling and chipping at the edges of crumbling marble to uncover the it he imagines lying recumbent underneath.

Tommy Duggan: Review of Best Canadian Stories 2023

For the 52nd time Biblioasis has bestowed to readers a Best Canadian Stories for our edification and pleasure. Comprising 15 stories and available at $22.95 (or about a buck-fifty a story-pop), it is, at the risk of pre-empting the rest of this review, almost certainly worth your cash and the armchair-time to imbibe.

Interview with Poetry Contest Winner Moni Brar!

Editorial Assistant Rosie Leggott’s Interview with 2022 Ralph Gustafson Poetry Prize Winner Moni Brar 
 
Rosie Leggott: Your bio reads, “She believes art contains the possibility of healing.” Has art had a healing effect on you? Was this part of your goal with this poem? Can you elaborate on the healing qualities within your work?  
 
Moni Brar: Poetry has been an integral part of my healing journey.

Interview with Melody Wilson

Editorial Assistant Rosie Leggott’s Interview with Winter 2023 Contributor Melody Wilson
 
Rosie Leggott: Do you write all of your poems based on personal experience, or do you ever draw on the experiences of others that you are passionate about? When do you know that you will write about something?

David Huebert: Spring 2023 Editorial

Welcome to the Spring 2023 issue of The Fiddlehead. We are thrilled to congratulate Moni Brar, winner of the 33rd Ralph Gustafson Poetry Prize for Best Poem! We’re grateful to our contest readers, Evan Jurmain and Rosie Legott, as well as to our three contest judges: Michael Prior, shalan joudry, and Dominique Béchard.
Current Issue: No. 305