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Fiction

An Interview with Melissa DaCosta Brown

Editorial Assistant Anastasios Mihalopoulos' Interview with 2023 Fiction Prize Winner Melissa DaCosta Brown whose story "Husbands" was published in Issue 298 (Winter 2024)

Anastasios Mihalopoulos: The opening of your story references Crystal Lake from Friday the 13th stating that this place was horrifying “but not in that way.” Do you see this story interacting with the horror genre or our general definition of ‘horror’ in a particular way?

Congratulations to our 2023 Fiction Contest Winner, Melissa DaCosta Brown!

We're excited to announce that Melissa DaCosta Brown is the winner of our 2023 Fiction Contest and $2000 prize! Her story "Husbands" will be featured in the upcoming Winter issue of The Fiddlehead (FH298).

Melissa DaCosta Brown is a graduate of Duke University and has a masters in Journalism from Northwestern University. She worked for MSNBC and ABC News affiliates. Her short stories have been published in Waccamaw, Subnivean, Ponder Review. Her work has been shortlisted for the Bridport Prize and the Lascaux Prize.

Chris Benjamin: A Richly Layered Study of Poverty and Trauma, Review of The Raw Light of Morning by Shelly Kawaja

The Raw Light of Morning, Shelly Kawaja’s debut novel and winner of the $12,500 BMO Winterset Award in 2022 for outstanding literary work by a Newfoundlander or Labradorian, is at the same time a compelling story of domestic violence, poverty, and trauma, and a 1990s western Newfoundland coming-of-age character study of a young woman of remarkable resilience. This is Laurel’s story, and she is 14 in the opening scene, and forced to intervene to protect her mother from life-threatening violence.

Carol Bruneau: Writing Bareback Review of World Naked Bike Ride by Lisa Fishman

Who can resist the title of this debut short fiction collection? Like cyclists in the eponymous event — a protest against fossil fuel consumption, among other things — Lisa Fishman’s 40 pieces, a collage of micro, flash fiction and narratives of greater length, flout convention. Vanity of vanities, the Pushcart Prize-nominated poet seems to say of the standard short story and its clothing/trappings.

Clarissa Hurley: Squinting Through the Smoke, Review of Cocktail by Lisa Alward

The epigraph to Lisa Alward’s new story collection, Cocktail, is an epiphanic moment from Virginia Woolf ‘s To the Lighthouse, in which the artist Lily Briscoe strives to resurrect and memorialize her dead friend through painting her portrait. Moved to uncharacteristic emotion by a sudden realization of the brevity of life, Lily laments, “Was there no safety? No learning by heart of the ways of the world?

Stop! Look! Listen! Christine Wu's Reading Recommendation

A recent read-turned-favourite is There’s No Such Thing As An Easy Job, written by Kikuko Tsumura and translated from the Japanese by Polly Barton. The narrator, burned out from her previous job, tries out a series of temp jobs with the caveat that they must be as undemanding as possible: “ideally, something along the lines of sitting all day in a chair”. Contrasted with our society’s focus on finding meaningful work, this premise is compelling from the start.

Ian Colford: A Tragedy of Colossal Proportions, Review of The Broken Places by Frances Peck

The natural disaster has been a trope in fiction (and movies) for decades. Usually what happens is that a group of strangers becomes isolated by an unexpected and massively destructive event. The ensuing drama chronicles the efforts of the unlucky individuals to cope with the challenges, dangers and deprivations they suddenly find themselves facing.

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