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No. 280 (Summer 2019)

Introduction: Mark Anthony Jarman

Fiction: Eden Robinson, Daniel Woodrell, Jowita Bydlowska, Steven Heighton, Cynthia Flood, Rabindranath Maharaj, David Huebert, Lisa Alward, Mehdi M. Kashani, Charlie Fiset, Andrew Tibbetts, Marcia Walker, Tamas Dobozy, Georgina Beaty, Joelle Tymchuk, and Raymond Fraser

Reviews: Catherine Greenwood, Richard Cumyn, Ian Colford, Susan Haley, Starlit Simon, and Steve Noyes

Upcoming Fiddlehead 2020 Event - Arrivals & Departures: Objects, Memories, and Transitions

Please join us in celebrating The Fiddlehead's upcoming 75th anniversary by participating in a life writing workshop with writer and educator Anthazia Kadir at Pier 21 in Halifax!
This workshop is free and includes a catered lunch. It is designed for newcomers to Canada but is open to all. Participants are asked to bring a meaningful object that will inspire their writing. See poster for location details.

State of the Art

By Nancy Bauer

One recent June evening I attended a mesmerizing concert at the home of artist Stephen May, the first “house concert” I’d ever attended. Six other guests came, so with the host and four musicians, we were a gathering of twelve. The intimate group was surrounded by seven glorious May paintings and one pitiful palm tree. The musicians were plainly dressed: no theatrical tricks or garish makeup. . . .

Kazim Ali’s Sublime Ordinary

By Ross Leckie

The sacred, the profane, and the glorious mundane shimmer through Kazim Ali’s poetry. The poems are visionary in the best sense of the word. They see both the translucence and the immanence of the world, a seeing that commingles vision, remembrance, and remembering, as he puts it in “Cover Me.” “Remembrance” is the odd word out here. Unlike vision and remembering, remembrance refers to something specific, a moment of history now commemorated. For Ali vision and remembering seem to step into a ceremony of memory that is elegiac, which can be as personal as a keepsake and as social as human slaughter: the museum, the monument, and the monumental. The visionary is given a body in these poems, through sex, embrace, travel, migration, and even something as simple as walking. . . .


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