By John Reibetanz
Ironic that at the same time as Brexit is gathering momentum, the best exhibit I’ve ever seen on Turner should be mounted by the Caumont Centre d’Art in Aix en Provence. “Turner et la couleur” throws aside all the stereotypes of Turner as a flag-waving nationalist and — on two floors of rarely shown paintings and watercolours — reveals the intricacy and coherence of an internationalist’s imaginative vision.
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