An Interview with Luanne Gauvreau
Editorial Assistant Yogesh Tak's Interview with 2024 Fiction Prize Winner Luanne Gauvreau whose story "Roses for Bodies" was published in Issue 302 (Winter 2025)
Photo credit: Michel Dupuis
Editorial Assistant Yogesh Tak's Interview with 2024 Fiction Prize Winner Luanne Gauvreau whose story "Roses for Bodies" was published in Issue 302 (Winter 2025)
Photo credit: Michel Dupuis
I wasn’t sure what to expect when I moved to Kelowna three years ago. I was coming from the rainforest. The Okanagan landscape seemed parched and barren. I was suspicious of the constant sunshine. I mourned the loss of my velvet forests full of ancient red cedars and Douglas firs, and set about trying to find a way to love this new land.
Anjimile’s Giver Taker would do well to be filed under: a sovereign sibling to tUnE-yArDs and Sufjan; songs that make you feel possible; songs that make queerness feel possible; what I wish I had at-hand when I was coming out; the embodied voice of a late August day when the space between ending and beginning is dead-leaf-thin; for fans of a heart-breaking track one and a foot-shuffling track two; an ode and a promise, in track four’s 1978, to a lover, a god, or oneself; an album closer that gently lifts away
Lost in Translation (film by Sofia Coppola) and Interior Chinatown (novel by Charles Yu) by Francis Chang
The Heisenberg Uncertainty Principle posits that it is impossible to know the exact location or nature of a particle at any particular moment because the act of observation itself causes a slight shift in position of the observed subject. The resulting alteration in trajectory from the present moment will magnify over time, until the next act of observation and reflection.
As someone in the thicket of middle age, I wonder how much my recollections of the past shift my understanding of the world. Even in this later stage of life, I still obsess over the questions “who am I” and “what is my place in this world”? It is with this mindset that I rewatched the movie Lost in Translation and read the novel Interior Chinatown.
Myth is on my mind. My partner and I recently tore through the first season of KAOS, a new Netflix series that plays fast and loose with classical Greek Mythology. In this retelling, Gods and humans live in a stylized world that somewhat resembles our own. Zeus, played to a tee by the ingenious Jeff Goldblum, lives in a gaudy mansion on Mount Olympus and wears velour tracksuits and gold-rimmed glasses.