Fiddlehead Music

I came to poetry through music: strange rhyming songs and lullabies as a kid, an absolute obsession with lyrics as a teenager, and now as an eclectic collector of songs that remind me of poems in some way. So I’m recommending music—interesting music that you may not have heard before, Joshua Burnside’s Ephrata.

As winter approaches, we should start to consider what music will accompany the gloom. Like central heating, stews, and mulled wine, Toronto musician Luka Kuplowsky’s, Capturing the Evening Song, is an essential comfort to get us through the cold. Released in the guts of winter 2022, Capturing the Evening Song is a meditation collection reminiscent of work by Beverly-Glenn Copeland and Hiroshi Yoshimura. It is a dreamy, synthy contemplation on simple, daily scenes.

Amongst those who know me, I’m not known as someone who can supply music fit for every mood. If anything, I select a song list entirely against the tenor of the evening, the moving vehicle, or the dish pit. Slow sad burners when the night is ablaze and the inverse. Not to be contrarian, but more so oblivious.  

Though it was only released a month ago as I write this, Kelela’s album Raven has been on constant rotation: whether it’s the summery “On the Run,” the piercingly erotic “Sorbet,” or the emotionally expansive “Enough for Love.” Her fusion of R&B, house, and electronica is like no one else. Unlike a lot of contemporary albums, I tend to listen to Raven from start to finish. It asks you to immerse yourself.