Stop! Look! Listen! Katherine Koller's Reading Recommendation
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Reading Jane Austen on her Semiquincentennial Birthday
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Reading Jane Austen on her Semiquincentennial Birthday
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The Widow’s Crayon Box, by Molly Peacock
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I believe in love at first sight. After all, I fell in love with my partner the second I saw her, and we’ve been together for almost four decades. I also believe in love at first listen. That’s how I felt about Joan Armatrading the first time I heard her magical blend of singing and songwriting, way back in the mid-1970s – pure, blissful love.
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Sheila Heit's Alphabetical Diaries is a book that exists in the past, present, and future simultaneously. Maybe a book that represents a futuristic version of reading?
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If you haven’t discovered Matador yet, then it’s time. Lori Yates is an artist (singer and songwriter) who hales from Oshawa-Toronto-Nashville-Hamilton and recently Toronto again. According to her website, she is a “pioneer of Alternative-Country.” And Matador, her much-anticipated new release, is replete with songs reflecting on a life of experiences -- love, friendship, struggle, survival and mortality.
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I am drawn to music with lyrics in languages I don’t understand, which allows me to hear, unmediated by meaning, the emotional synthesis and counterpoint of sound. Two of my favorites are Trio Mediaeval from Norway, and Mariza from Portugal. Isn’t our work as writers similar? We choose our words, not just for meaning, but for what their sounds make us feel.
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Every Cripple a Superhero by Christoph Keller is a great example of a hybrid memoir. There are photos, poems, flash prose, cultural criticism, and a Kafka-esque surrealist short story interspersed throughout the book. An earlier and slightly different version of the manuscript was first published in German in 2020.
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I wasn’t sure what to expect when I moved to Kelowna three years ago. I was coming from the rainforest. The Okanagan landscape seemed parched and barren. I was suspicious of the constant sunshine. I mourned the loss of my velvet forests full of ancient red cedars and Douglas firs, and set about trying to find a way to love this new land.
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Anjimile’s Giver Taker would do well to be filed under: a sovereign sibling to tUnE-yArDs and Sufjan; songs that make you feel possible; songs that make queerness feel possible; what I wish I had at-hand when I was coming out; the embodied voice of a late August day when the space between ending and beginning is dead-leaf-thin; for fans of a heart-breaking track one and a foot-shuffling track two; an ode and a promise, in track four’s 1978, to a lover, a god, or oneself; an album closer that gently lifts away towards bluer skies; forgiveness music; survival music; hollering h