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In these distressing political times, goodness has been on my mind. Recently I read an article in the New York Times about the art dealer Lisa Schill, who pleaded guilty to defrauding her clients of six million and a half dollars. "I am the worst kind...because I seem so good. I'm a good person, I'm a good friend, I am loving and generous, I work hard - and I stole your money."
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There is a hidden gem tucked in a corner of the Cotswolds, in southern England. She is the rural author Pamela Keevil, whose gentle face and manner belie the sharpness of her wit. Cross Agatha Christie with James Herriot, and you get an inkling of her style. Keevil coats a serious message in high entertainment. She is an honour to know, and a pleasure to read.
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As I waited for my name to come up on the Guelph Public Library’s long list of holds for Omar El Akkad’s book One Day, Everyone Will Have Always Been Against This, I turned to his beautifully written second novel
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We are thrilled to have the opportunity to congratulate three former contributors to The Fiddlehead — Kirti Bhadresa, Souvankham Thammavongsa, and Ian Williams — and, Amanda Leduc, the guest editor of our Summer 2026 Disability-Themed Issue (call for submissions here) on being named finalists for the 20
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We’re excited to invite you to celebrate the launch of The Fiddlehead Issue 304 on Saturday, September 20,12:30–3 PM Atlantic Time, both in person at the Fredericton Public Library and online via Zoom.
Writing Workshop:
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Editorial Assistant Michael Yvon Robichaud's Interview with Danica Klewchuk whose story "Important Intersection Ahead" was published in Issue 304 (Summer Creative Nonfiction 2025)
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Erica Berry's Wolfish and Unmask Alice by Rick Emerson goes together like good wine and sharp cheese.
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As I dip my toes into learning Mandarin, I’ve come to realize just how difficult and valuable the art of translation is. Especially when it comes to the linguistic metamorphosis of converting a character-based language into an alphabetical one.
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Ancestral-Wing by Sneha Subramanian Kanta is a collection of poems that provides elegiac pathways to Kanta’s encounters with grief, memory, loss, and family. Her poems fill me with lament and longing for lost lineages and introduce me to parts of myself that I’ve either disconnected with or forgotten.
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Editorial Assistant Michael Yvon Robichaud's Interview with Nancy Hui Sulaiman whose story "The Impact of a Father’s Terminal Cancer Diagnosis" was published in Issue 304 (Summer Creative Nonfiction 2025)
