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Matthew Hooton is the author of the novels Deloume Road and Typhoon Kingdom, and has written fiction and non-fiction for a number of venues internationally. He teaches at the University of Adelaide, where his research ranges from Korean history through Jim Henson's Muppets and the stunts of Evel Knievel. His story Nine Endings was published in the Summer Fiction issue of The Fiddlehead. Order your copy of the issue today!
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Aidan O’Donoghue was born in 1980. His fiction has appeared in The Los Angeles Review, The Stinging Fly, The Tangerine and The Moth and his story A Norwegian Stove can be found in the new Summer Fiction issue of The Fiddlehead. His poetry has also been published widely. He is working on a novel and a short story collection. He lives in Cork, Ireland with his wife and two children.
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Conversations between writers who self-identify as Black, Indigenous and People of Colour about craft, creativity, vision and tradition can be a means of celebration and resistance. Yet venues for these exchanges have seen far too few writers of colour engaging in reviews, interviews and literary criticism. We invite BIPOC writers to submit reviews of recently published books of fiction, nonfiction and poetry by other racialized and underrepresented writers. How might we map out a space for discourse that is by us and for us?
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Maria Kubacki's Reading & Music Recommendations:
I recently read two books by Jhumpa Lahiri: In Other Words, a memoir about her decision in her mid-40s to move to Rome and immerse herself in Italian, and Whereabouts, her first novel written in Italian, published in English this spring.
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Liz Abeling is the creative nonfiction editor for After Happy Hour Review and a proud member of her Pittsburgh-based writing group The Rahnd Table. Her story October 26, 2015 was published in issue 287 of The Fiddlehead. You can find more of her words in the upcoming issue 17 of Bat City Review.
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As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together.
This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.
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As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together.
This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.
Posted on
As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together.
This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.
Rebecca Salazar - BIPOC Solidarities Special Issue Editor:
