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Pauline Peters' Music Recommendation

Pauline Peters lives in Toronto. She has been published in anthologies and in journals such as Canadian Literature and The Antigonish Review. Her poem "Hamilton, Ontario, 1975" is featured in the new Autumn issue of The Fiddlehead. She was short-listed for the Gwendolyn MacEwen Poetry Competition and her chapbook The Salted Woman is being published by the British publisher Hedgespoken Press.  

Interview with Richard-Yves Sitoski

Editorial Assistant Rose Henbest's interview with Richard-Yves Sitoski about his poem “Things that Don’t Show up in Photos” from the new Autumn issue.
 

Rose Henbest: I always appreciate art inspired by ignored moments, as you point to in your title. Can you talk about your inspiration for this poem, for wanting to capture such a moment?

Richard-Yves Sitoski’s Reading Recommendations:

Richard-Yves Sitoski is a songwriter, performance poet and the 2019-2022 Poet Laureate of Owen Sound, Ontario. His most recent book is the multimedia poetry collection, No Sleep ‘til Eden (Ginger Press, 2020), which features augmented reality. His poetry will be featured in the upcoming Autumn issue of The Fiddlehead.

Congratulations to Creative Nonfiction Contest Winner K Ho!

We're excited to announce that K Ho is the winner of our 2021 Creative Nonfiction Contest and $2000 prize! Their essay Dispatches will be featured in our upcoming Autumn issue, no. 289.

K Ho is a writer and photographer based in unceded Coast Salish territory (Vancouver BC). Their work has been published in several journals and is forthcoming in Resonance: Essays on the Craft and Life of Writing. They are completing their MFA in creative writing.

Thank you to all who entered the creative nonfiction contest and congratulations to the fifteen finalists. And thanks again to our judge Chelene Knight!

Excerpt from "Dispatches" by K Ho

Dispatches by K Ho, 2021 Creative Nonfiction Contest Winner

Excerpt


Every morning before my online creative writing workshop, I take a black handheld device, about four inches long and one inch wide, and line it up next to my laptop. It looks like an old-school cellphone, not unlike an early-aughts Nokia mobile on which many eager hands played Snake. The device has a red button and a mouthpiece of scattered dots for soundwaves to slide through. I press record and wait for class to begin.

Current Issue: No. 309