Stop! Look! Listen! is your one-stop destination for The Fiddlehead's cultural engagement.
Rose Maloukis is a poet and visual artist, with a BFA from Wayne State University, Detroit, Michigan. Her poetry was short-listed for the 2015 Montreal International Poetry Prize. She won 2nd place in Geist’s erasure poem competition. Her chapbook, Cloud Game with Plums was published in July 2020 by above/ground press. Her poem These Weeds was featured in issue 286 of The Fiddlehead.
Chafic LaRochelle holds a B.Sc in neuroscience and is a volunteer SAR Tech. He works as a freelance writer and lives with his wife Kaitlyn in Montreal. His creative nonfiction essay A Man, Without was featured in issue 286 of The Fiddlehead.
Angie Macri is the author of Underwater Panther (Southeast Missouri State University), winner of the Cowles Poetry Book Prize. Her recent work appears in Cherry Tree, NELLE, Sou’Wester and issue 286 of The Fiddlehead. An Arkansas Arts Council fellow, she lives in Hot Springs and teaches at Hendrix College. Find her online at angiemacri.wordpress.com.
Carol Krause is a poet who writes about madness, mystical mishaps and unexpected mendings. Her poetry was recently published in filling Station, Understorey Magazine, carte blanche, CAROUSEL, Issue 286 of The Fiddlehead and PRISM international. Carol lives on disability support and poetry, and feels most alive crawling through caves.
Anthony Purdy lives on the South Shore of Nova Scotia, where he started writing in 2019. Recent publications include stories in the Spring and Summer 2020 issues of Queen’s Quarterly as well as poems in The Goose, Prairie Fire, The Dalhousie Review, and Queen’s Quarterly. He is a member of the Writers’ Federation of Nova Scotia and an Associate Member of the League of Canadian Poets. His poem, mornings, received an honourable mention in the League of Canadian Poets’ 2021 Very Short Verse contest and appeared in the May 21 edition of Poetry Pause. His poem, bakery, was shortlisted for the Writers’ Federation of Nova Scotia Spring 2021 Postcard Poem contest. Literary writing offers him new ways of exploring some of the concerns and questions that animated his research and teaching in recent years in fields as various as nephology and meteorology; natural history and the environment; material culture and the museum; cultures of memory and the archive; the archaeological imagination. You can read his poem, The subtle tumour in issue no. 286 of The Fiddlehead.
Emira Tufo is a Bosnian Canadian writer based in Montreal. She is the recipient of the 2019 CBC/Quebec Writers’ Federation Writer in Residence award. Her essays have appeared in The Globe and Mail, the Montreal Gazette and on CBC. Her storytelling has been featured on the Confabulation and Volume Knob podcasts. Emira's nonfiction essay Heroes was published in issue no. 286 of TheFiddlehead.
Robert Hilles won the Governor General’s Award for Poetry for Cantos from A Small Room. His latest poetry book is Shimmer. His novel Don’t Hang Your Soul on That will be published in 2021.
Emily Hockaday is the author of five chapbooks including Space on Earth and What We Love & Will Not Give Up. Her poems have appeared most recently in Parks & Points, The Fresh Water Review, and Gone Lawn. Her poem Memorial was published in issue 287 of The Fiddlehead, which can be ordered here. She can be found on the web at www.emilyhockaday.com and @E_Hockaday.
Peter Norman’s novel, Emberton (Douglas & McIntyre, 2014), was longlisted for the Sunburst Award. His fiction has appeared in The Walrus, Joyland, Grain, PULP Literature, Victory Meat: New Fiction from Atlantic Canada, and elsewhere. His story Pumphouse Marsh can be found in issue 287 of The Fiddlehead, order your copy today!
See more at peternorman.ca
Manahil Bandukwala is a poet, writer, editor, and visual artist. She has two solo chapbooks, Paper Doll (2019) and Pipe Rose (2018), and Sprawl (Collusion Books, 2020), authored with Conyer Clayton. She is on the editorial team of Canthius, and is Coordinating Editor for Arc Poetry Magazine. Manahil's poetry was featured in the Autumn 2020 issue of The Fiddlehead.
