Stop! Look! Listen! is your one-stop destination for The Fiddlehead's cultural engagement.
Cindy King was born in Cleveland and grew up swimming in the shadows of hyperboloid cooling towers on the shores of Lake Erie. She currently lives in Southern Utah, where she don't know a butte from a bluff. She is an Assistant Professor of Creative Writing at Dixie State University. Cindy's poetry is featured in the new Spring 2022 issue of The Fiddlehead. Order your copy today!
Anuja Varghese is a QWOC Pushcart-nominated writer based in Hamilton, ON. Her work appears in Hobart, The Malahat Review, Humber Literary Review, Plenitude Magazine, and others. She recently completed a collection of short stories and is working on a debut novel. Find her on Twitter, Instagram, or on the web. Her story "Stories in the Language of the Fist" was published in the The Fiddlehead BIPOC Solidarities issue. Order your copy today!
Melinda Burns is a writer and a psychotherapist in Guelph, Ontario. She is the daughter of a Mohawk mother and an English father. Her fiction won first prize in the 2001 Toronto Star Short Story contest. She has published writing in Canadian Notes & Queries, The New Quarterly, and Grain. Her creative nonfiction piece "Deathly Afraid" appeared in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
We're excited to announce that Marco Melfi is the winner of the 2021 Ralph Gustafson Poetry Prize! His poem “The Faulty Porch Light” will appear in the Spring 2021 issue of The Fiddlehead. Thank you again to our judges Selina Boan, Matthew Gwathmey and Susan Musgrave, and to all who entered the poetry contest!
Vivian Li is a writer and editor who enjoys exploring various artistic disciplines. Her works are forthcoming or published in Uncanny Magazine, CV2, and Vallum, among others. A MFA candidate at UBC, she currently edits for PRISM international, and can be reached on Twitter @eliktherain. Her poem "Soup Days, Pizza Dinners & Other Joyful Moments" was published in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
James X. Wang is a writer and physician who began writing in earnest in 2019. He is a Chinese-Canadian settler on the unceded homeland of the Musqueam, Squamish, and Tsleil-Waututh peoples, later known as Vancouver. He belongs to the writing group Harbour Centre Five. His work has appeared in Arc and his poem "Fossils" is featured in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
T. Liem is the author of OBITS. (2018). Her writing has been published in Apogee, Plenitude, Room, The Boston Review, Grain, Best Canadian Poetry 2018 and 2019, and elsewhere. She lives in Tio’Tia:ke / Montreal, unceded Kanien’kehá:ka territories. T. Liem's poetry, including “The Middle of No Where is Somewhere”, is featured in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
Carmina Ravanera is a writer and researcher of Filipino and Indian descent. Her fiction has been published in Room and her articles have appeared in several publications including Policy Options and Corporate Knights. Carmina has lived in both London, Ontario and London, UK, and now resides in Toronto.
Carmina's story "Beach Day" was featured in the BIPOC Solidarities issue of The Fiddlehead. To read the story and more order your copy today!
Linda Trinh is a Vietnamese Canadian author who writes nonfiction and fiction for adults and children. She explores identity, cultural background, and spirituality. Her work has appeared in anthologies and literary magazines, including The Fiddlehead's BIPOC Solidarities issue, and has been nominated for two National Magazine Awards. She lives in Winnipeg / Treaty 1. Twitter: @LindaYTrinh
Tamara Jong (she/her) is a Tiohtià:ke (Montréal) born writer and cartoonist of Chinese and Scottish ancestry. Her creative nonfiction essay "Lessons" was published in the BIPOC Solidarities issue of The Fiddlehead.
