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(Re)framing a Fragmented Biography

Precedented Parroting, Barbara Tran. Palimpsest Press, 2024.

How does one write one’s history when facts run fleet? How does one frame a biography when names and languages exist as disparate fragments, and community acceptance is seemingly conditional? These are the questions that populate Barbara Tran’s remarkable poetry debut, Precedented Parroting.

Alive through the Ghosts of the Past 

Building a Nest from the Bones of My People, Cara-Lyn Morgan. Invisible Publishing, 2023. 

At the end of January, a much younger friend told me how much she enjoyed Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert. My friend loves to paint and found inspiration to keep painting even if her life feels overwhelmed with grad school and a full-time job. It doesn’t matter how good she is, or what may come of it. All that matters is that she paints. 

Editorial Assistant Jamie Kitt's Interview with Clea Young whose story "In Loco Parentis" was published in Issue 299 (Spring 2024)

— Clea Young’s stories have appeared in three volumes of The Journey Prize Stories, and she has twice been shortlisted for the award. Her first collection, Teardown, was published in 2016 with Freehand Books. Her second collection, Welcome to the Neighbourhood, is forthcoming with House of Anansi Press in 2025.

Listening: Explosions in the Sky – The Earth Is Not a Cold Dead Place 

Reading: Becky Chambers – A Psalm for the Wild-Built 

There isn't enough Jim Harrison in this world. One of the few truly original writers of the last 20 years, he belongs to no school, and sits in a category and style uniquely his own. While he is sometimes compared, favourably and unfavourably, to Ernest Hemingway because they both write about Michigan and, sometimes, fishing, the comparison makes as much sense as linking Hemingway with Cervantes because they both write about Spain. 

When Harrison died several years ago, I was as much disgruntled as I was sad. Jim Harrison books were capped. Damn it. 

A book I find myself returning to is Maggie Burton’s poetry collection, Chores. Captivating from the opening lines, with uncomplicated language and vivid, visceral images, Burton revisits the day-to-day events of domestic life and women’s labour that are often overlooked. Bringing tenderness to the struggles of survival, these poems stir up nostalgia for home and beloved grandmothers.  

Steven Heighton's Instructions for the Drowning (Biblioasis) and The Oceanic Society Field Guide to the Gray Whale (Sasquatch Books)

Editorial Assistant Anastasios Mihalopoulos' Interview with Adèle Barclay, previous winner of The Fiddlehead 2022 Fiction Contest, whose Creative Nonfiction Story "Cobra Blue Mustang Strat" was published in Issue 298 (Winter 2024) on art as a way to survive, fallibility of human memory, and how her poetry has served in her creative nonfiction practice. 

If you have the opportunity, seek out Quiet, the latest collection of poems by Victoria Adukwei Bulley. Bulley lives in England but she spoke at the Vancouver Writers’ Festival last fall and I was lucky enough to hear her spellbinding voice read these strong poems—poems that stirred me with their quiet strength and their reclamation of Black history from the colonial narrative. In the poem revision, she considers new and varied answers to multiple choice tests about the colonial history of the Gold Coast.