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Rebecca Geleyn

A spinning reel of metaphor

Seldom do we encounter a poet who wields tremendous dexterity, and yet, chooses to [play with language instead of performing.

Love, Spite, and Braided Doll Tresses

In her latest collection, Cynthia Flood compresses cumbersome moments, the bubbles of relationships, and years of history into fragmented, though trim, elliptical stories.

A History of Apocalypses

We're here because we're here because we're here, is the chant that haunts Rebecca Campbells debut novel The Paradise Engine, a story about cultists, New Age mysticism, apocalyptic visions, but also, as the song suggests, about place and the sense of local or Canadian identity.
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