Stop! Look! Listen!

“How old are you?” This is the question that everyone asks best-selling historian Nell Painter when she returns to school at age 64. She retires from teaching at Princeton and pursues her lifelong dream of becoming an artist. Not a dabbler, not a retiree taking a few classes, but a “serious artist.” Art may be all about seeing, but artists are about being seen. Painter doesn’t just want to paint; she wants to get her MFA and be seen as a professional artist.

Leonard Cohen almost always ends up on my Spotify Wrapped. His gritty, sensual, laconic, husky voice resonates with my melancholic spirit. His music is enduring—sardonic, philosophical, and rhetorical. It’s his refusal to be boxed in that draws me in: his waltzing numbers, pacing and bringing in the unconventional—accordion and string quartets, diverse cultural influences, the dark comedy, and, of course, a relentless inquiry. I’m also a sucker for a good synthesizer.     

My first shazam was a Stromae banger, Alors On Danse. I was at a red light hoping Shazam would find the tune before I had to drop my phone and drive. Success! Great beat, gorgeous voice, and content that made me feel something – all the more as I translated from the French. Someone on Youtube wrote, “Guy writes one of the most genius cynical takes about the false relief of clubbing. Ironically becomes one of the biggest club hits.” Exactly. 

I arrived at Laura Cumming’s beautiful book, Thunderclap: A memoir of art and life & sudden death, just before it won the 2024 Writers’ Prize for Non-Fiction. I had lovingly remembered her previous book, On Chapel Sands, a story of her mother’s life. In Thunderclap, she turns her close attention to the golden age of Dutch art in the 1600s, in particular the cataclysmic gunpowder explosion in Delft that killed the painter Carel Fabritius and destroyed many precious works of art.