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Poetry

An Interview with Petra Chambers

Editorial Assistant Miriam Richer Interviews Petra Chambers whose three poems appear in Issue 301 (Autumn 2024)

Miriam Richer: All three of your poems, in one sense or another, are about the speaker’s relationship to the past—revisiting a childhood home, reminiscing about adolescence, identifying with a rescue animal’s inscrutable history. How does the passage of time figure into your poetry? 

Excerpt of "How to spend the nth day in bed" by Samantha Jones

Excerpt from Issue 301 (Autumn 2024)
"How to spend the nth day in bed" by Samantha Jones
Content note: chronic illness and pain

Choose the bed by the window,
stack at least four pillows,
prop my head up to achieve the view:
A tree full of sparrows,
magpies hop across blacktop,
haggle over toast.
Each spindly foot a clasp
set around its treasure.
Brisk black squirrels run
between utility poles,
the post carrier unloads a grey crate,

Jennifer Houle Reviews Entre Rive and Shore by Dominique Bernier-Cormier

To kiss the hybrid future à travers un voile

Entre Rive and Shore, Dominique Bernier-Cormier. icehouse poetry, 2023.

Tout d’abord: wow. These were the first words that came to mind en mijotant sur how and where to begin a review of Dominique Bernier-Cormier’s multigenre, multi-temporal and dimensional, highly allusive, bilingual+ Entre Rive and Shore...

Robert Colman Reviews Precedented Parroting by Barbara Tran

(Re)framing a Fragmented Biography

Precedented Parroting, Barbara Tran. Palimpsest Press, 2024.

How does one write one’s history when facts run fleet? How does one frame a biography when names and languages exist as disparate fragments, and community acceptance is seemingly conditional? These are the questions that populate Barbara Tran’s remarkable poetry debut, Precedented Parroting.

Stop! Look! Listen! Andrea Hubley's Reading Recommendation

A book I find myself returning to is Maggie Burton’s poetry collection, Chores. Captivating from the opening lines, with uncomplicated language and vivid, visceral images, Burton revisits the day-to-day events of domestic life and women’s labour that are often overlooked. Bringing tenderness to the struggles of survival, these poems stir up nostalgia for home and beloved grandmothers.  

 

An Interview with Contest Winner Jaeyun Yoo

 

Editorial Assistant Jamie Kitts' Interview with Jaeyun Yoo whose poem "have you seen my father" won our 2023 Ralph Gustafson Poetry Prize and was published in Issue 299 (Spring 2024)

Jaeyun Yoo is a Korean-Canadian poet, psychiatrist, and graduate of Simon Fraser University’s The Writer’s Studio. A Best of the Net nominee, her poems have appeared in Room, Canthius, CV2, and elsewhere. She published a collaborative chapbook, Brine, with Harbour Centre 5, a collective of emerging poets.

An Interview with Blair Trewartha

Editorial Assistant Rosie Leggott's Interview with Blair Trewartha whose poems "Sifto" and "Equal Temperament" were published in Issue 298 (Winter 2024)

Blair Trewartha’s first collection of poetry, Easy Fix (Palimpsest, 2014) was shortlisted for the Relit Award. He is the author of three chapbooks: Break In (Cactus Press, 2010), Porcupine Burning (Baseline Press, 2012), and human energy (Anstruther Press, 2022). His poetry has appeared in several journals.

Kirby: Nestle In Words Like An Animal: The Poetic G/Rasp of Tongue, Throat, and Mouth in G. Review of G by Klara du Plessis & Khashayar “Kess” Mohammadi

Nestle In Words Like An Animal: The Poetic G/Rasp of Tongue, Throat, and Mouth in by Kirby

G, Klara du Plessis & Khashayar “Kess” Mohammadi. Palimpsest Press, 2023.

First, let’s talk about the design/packaging of this book.

It’s exquisite. The colour palette, fonts, printed endpapers, on signature Coach House zephyr, readable text on the page. A book you want to pick up, hold, caress with the eyes and the touch. Congrats to in-house designer Ellie Hastings, editor Jim Johnstone, and publisher Aimee Parent Dunn. Finery.

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