Category: Features

This Ain’t No Disco
 

Conversations between writers who self-identify as Black, Indigenous and People of Colour about craft, creativity, vision and tradition can be a means of celebration and resistance. Yet venues for these exchanges have seen far too few writers of colour engaging in reviews, interviews and literary criticism. We invite BIPOC writers to submit reviews of recently published books of fiction, nonfiction and poetry by other racialized and underrepresented writers. How might we map out a space for discourse that is by us and for us?

As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together. 

This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.

As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together. 

This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.

Mother by Jowita Bydlowska

Excerpt

As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together. 

This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.

Rebecca Salazar - BIPOC Solidarities Special Issue Editor:

As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together. 

This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.

From soprano to whistling warbler

Why Birds Sing, Nina Berkhout. ECW Press, 2020. 

The Long and the Short of It

Charity, Keath Fraser. Biblioasis, 2021.

There must be a term — something Latin and ornate — for the evolutionary process of when a species of such primacy devours its habitat until everywhere it looks it sees only itself. Whatever this word is, the novel has done exactly that in the literary landscape. The novel’s conquering of the bookshelves is so total that the bookstore’s only other surviving genres seem to be Disaster Nonfiction, Retired Hockey Player Memoir, and Scented Candle.

What It All Meant

My Camino, Patrick Warner. Biblioasis, 2019.