Secret Signature: The Quiet Revolution of Berthe Morisot : A Review by Martha Shulman of Dede Crane's "One Madder Woman"
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Secret Signature: The Quiet Revolution of Berthe Morisot
One Madder Woman, Dede Crane. Freehand Books 2020
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Secret Signature: The Quiet Revolution of Berthe Morisot
One Madder Woman, Dede Crane. Freehand Books 2020
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Boundaries
Gold Rush, Claire Caldwell. Invisible Publishing 2020
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Making a Difference
Reaching Mithymna, Steven Heighton. Biblioasis, 2020.
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It is not the poem which closes
A Tent, A Lantern, An Empty Bowl and Keeping Count, M. Travis Lane. Gordon Hill Press, 2020
Let’s begin with rocks and mud.
The poem “May Rocks,” which appears nearly midway through Keeping Count, M. Travis Lane’s most recent collection, begins with a single-word sentence: “Spring.” This is followed by rocks that “butt and push” in a lawn “jagged with dragon’s teeth.” It continues:
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“Accept this rock, its odd love”
Crow Gulch, Douglas Walbourne-Gough. Goose Lane Editions, 2019.
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. . . careful, layered creation
A Dark House and Other Stories, Ian Colford. Vagrant Press, 2019.
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“Tronno Hijabi”
Washes, Prays, Noor Naga. McClelland and Stewart, 2020.
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Kumquats and Eclipses
Soft Power, Stewart Cole. Goose Lane Editions, 2019.
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You Don’t Want It Darker
Dirty Birds, Morgan Murray. Breakwater, 2020.
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Is there anyone else out there who loves a big, thick, old-fashioned novel that is written with such sparkle and fluidity that you dive right in and only come up for air at three am when your vision shuts down and your bed has become a raft on the ocean of that new world? A.S. Byatt’s Possession is one such book for me.