Games
suppose a rope suppose linear a trope is not always not
necessarily round not a birthday a cake hiding ten shining dimes
not a celebration a rope might be plastic if a rope it could be red
or it could be made of brown hemp long enough and an occasion to jump.
occasionally and when the weather permits
an occasional recourse to hold something or someone or lasso
there is always an end to hold sometimes two if there are two ends
two girls must hold, one at each end of the span
If there is chalk there might be a game hopping into squares or accidentally
not into squares suppose the squares are numbered
then they are hopped over or into sequentially hope is always possible a friend
is always possible at the top under a curved line
the word HOME
and a smooth stone if there is a phone
there is assonance and a party line might be at the other end
a party line is not always a party or political the phone
is Bakelite necessarily at that time black chalk is white
or it might be yellow cylindrical chalk is to sock
as thistle is to ditch or whistle stitch is to knot as clot is to cream
which is not the case here
suppose the sock is navy blue paired it could be a white sock
with a short cuff the sort of sock that can be worn into a classroom
the list might be considered friendly if apple if thistle
if thistle in spring it might include fairies if unfriendly
there will be repercussions a customary sadness spoons too
can be friendly an indication of alphabet soup
and marbles glass zero round blues
cat’s eyes and zero round translucent greens
Soul of the world
in the drawing crayon on Protestant School Board newsprint
large standard issue
the woman is pushing the baby carriage into the future the baby
does not look concerned
facing the mother facing the past
this could go almost anywhere
the seven-year-old artist pushes the story past the paper’s right edge
presses hard with the green
rocking on time’s uncertain fulcrum
having reached the purported age
of reason about to want
explanations halfway between inside and out
despite appearances her past contains certain dark ages edges
and though we now understand that time no longer exists
we still ask where are they going that blithe baby
mother and carriage
where are they on their way to
aiming right off the page
Arleen Paré has published five books: Paper Trail, Leaving Now, Lake of Two Mountains, He Leaves His Face in the Funeral Car, and The Girls With Stone Faces. Originally from Montreal, she now resides in Victoria, where she lives with her partner, Chris Fox
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