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Stop! Look! Listen! Bertrand Bickersteth's Music Recommendation

Except for hip hop or the occasional R&B-inflected jazz, I don’t really listen to much music with vocals. Last year, though, I started listening to the jazz vocalist Cécile McLorin Salvant. Her latest album is Mélusine (2023) but I remain mired in and moved by Ghost Song (2022). I don’t just love her voice, its tone and timbre, I also love her intelligent lyricism, her confident pastiches of different musical eras, her jarring dissections of power in intimate relations, her masterful takes on great artists from Gregory Porter to Kate Bush.

Stop! Look! Listen! Lisa Russ Spaar's Movie Recommendation

I always assume that everyone has seen the classic cult film Harold and Maude, featuring iconic performances by Ruth Gordon and Bud Cort and a fabulous soundtrack by the young Cat Stevens.  But when I mention the film now to my students, often no one in the room has even heard of the movie, let alone watched it.  It is a unique and unparalleled love story that is very much of its time and place (California at the start of the 70s—Vietnam, ecology, weed, all manner of cultural and social revolution) but is very

Sue Sinclair: Summer 2023 Editorial

HURRAY! IT’S THE SUMMER POETRY ISSUE! The summer poetry issue has always been an event for me. Even before I was editor of The Fiddlehead, I looked forward to its arrival. The section titles, drawn from lines within the poems, always made the issue feel like an occasion, showed how closely the editors were reading the work featured, and I got to read some of the most engaging, reorienting, challenging and/or delightful poetry written that year. I still feel this sense of occasion, and I rub imaginary hands together in my mind as I anticipate what readers will find here.

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