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Current Issue: No. 300

Manahil Bandukwala: Love as a Driving Force. Rewview of A Dream Wants Waking by Lydia Kwa

Posted on April 25, 2024

Love as a Driving Force by Manahil Bandukwala

A Dream Wants Waking, Lydia Kwa. Wolsak & Wynn, 2023

Lydia Kwa’s A Dream Wants Waking promises a dreamlike narrative through its title and cover, and the short novel certainly delivers. The book opens with a list of characters from the past timeline in Tang China from 644-904 CE and the present timeline of Luoyang in 2219 CE. Told through short chapters that switch back and forth at a rapid pace, Kwa immediately immerses the reader into both timelines of the story.

An Interview with Blair Trewartha

Posted on April 23, 2024

Editorial Assistant Rosie Leggott's Interview with Blair Trewartha whose poems "Sifto" and "Equal Temperament" were published in Issue 298 (Winter 2024)

Blair Trewartha’s first collection of poetry, Easy Fix (Palimpsest, 2014) was shortlisted for the Relit Award. He is the author of three chapbooks: Break In (Cactus Press, 2010), Porcupine Burning (Baseline Press, 2012), and human energy (Anstruther Press, 2022). His poetry has appeared in several journals.

Kirby: Nestle In Words Like An Animal: The Poetic G/Rasp of Tongue, Throat, and Mouth in G. Review of G by Klara du Plessis & Khashayar “Kess” Mohammadi

Posted on April 16, 2024

Nestle In Words Like An Animal: The Poetic G/Rasp of Tongue, Throat, and Mouth in G by Kirby

G, Klara du Plessis & Khashayar “Kess” Mohammadi. Palimpsest Press, 2023.

First, let’s talk about the design/packaging of this book.

It’s exquisite. The colour palette, fonts, printed endpapers, on signature Coach House zephyr, readable text on the page. A book you want to pick up, hold, caress with the eyes and the touch. Congrats to in-house designer Ellie Hastings, editor Jim Johnstone, and publisher Aimee Parent Dunn. Finery.

Lynn Davies: Cautious Praise. Review of Lent, Kate Cayley

Posted on April 11, 2024

Cautious Praise by Lynn Davies

Lent, Kate Cayley, Book*hug Press, 2023.

In Lent, Kate Cayley’s voice is driven by doubt and occasional bouts of confidence. In “Falling,” she says matter-of-factly,

         I was putting off God. A task crossed out
         each night like laying aside clothing

         I can’t find time to repair.

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