Hannah Green’s
Xanax Cowboy is a long poem—a total of 128 pages—that interrogates
humour and consistently questions what sits at its centre. The speaker, Xanax Cowboy
(or XC) goes through the wild west (and also creative writing workshops) juggling pills and
the heaviness of being alive.
Reading this collection is an undeniably cinematic experience; the writing fluctuates to
show readers varying degrees of addiction and anxiety. Green sifts through the vulnerable
and real while balancing XC’s performativity—both online and through questioning
aspects of gender performance. There is also a question of the responsibilities that come
through with writing itself, one line I found striking was “How like the poet. To rewrite its
own tragedy into a comedy.”. Truth is always told unflinchingly.
There is so much gold that has been dug-up in this wild-west, a personal favourite of mine
being a cento with lines from Westerns, Sylvia Plath’s Ariel, lyrics from Patsy Cline songs
& the WebMD page on Xanax. All in one piece! Everything about it is not only raw and
heartfelt, but makes me feel smarter by association. I felt lucky to read from a writer who
is writing about addiction with such grace and compassion while still refusing to shy away
from the brutal realities it brings forward.
— Noah Sparrow is a Montreal-Tiohtià:ke based writer, currently studying creative writing at Concordia University. He has published political pieces with Monitor Magazine and poetry with LBRNTH. His work consistently deals with queerness and the absurd.
You can read Noah Sparrow's story in Issue 300 Summer Fiction 2024. Order the issue now:
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