By Madeline Bassnett
My life is all about revision — and that’s not just a metaphorical statement. It seems I’ve ceased writing anything new: my only task is to complete and repair the old. As if I’ve suddenly entered the field of furniture restoration, sanding the scratches, oiling the bumps, replacing worn nails — a deceptively satisfying comparison. As if revision were simply a matter of priming and primping, of returning to some earlier and idealised state.