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Non-Fiction Features

BIPOC Solidarities Special Issue - Call For Submissions!

Submissions are now open for our BIPOC Solidarities Special Issue! What conversations would you have in a room filled with fellow BIPOC writers? What stories would you write for one another that you have held back from publishing in a pervasively white literary industry? The Fiddlehead invites submissions of poetry, fiction, creative-nonfiction, and cross-genre innovations by racialized writers residing in the area known as Canada (citizenship not required). This includes writers who identify as Black, Indigenous, people of colour, and racialized writers who wish to push back against the BIPOC acronym.

Interview with Jennifer Bowering-Delisle by William Bonfiglio

Jennifer Bowering Delisle (she/her) is the author of Deriving, a poetry collection, and The Bosun Chair, a lyric family memoir. She is on the board of NeWest Press, and teaches creative writing. She is a settler in Edmonton/Amiskwaciwâskahikan/Treaty 6 territory. Find her at www.jenniferdelisle.ca or @JenBDelisle. Jennifer's nonfiction piece Theory of Mind is featured in The Fiddlehead issue 287. Order your copy today!

Interview With Creative Nonfiction Contest Winner Morgan Charles

Morgan Charles' story Plagued was the winner of our 2020 Creative Nonfiction Contest. Recently, editorial board member William Bonfiglio spoke to Morgan about compassion, helplessness and writing during a pandemic. 

Plagued is featured in our upcoming Fall Issue 285. Click Read more for the full interview! 

Queer Folk in Canada

By Reid Lodge

As a queer, transgender Canadian I often find people like me to be either underrepresented or poorly represented in fiction. The idea that marginalized groups are underrepresented in all forms of artistic media (especially the most popular varieties) is hardly new, but even so, I always find it worthwhile to call attention to some of the great work happening by queer artists across the country whenever I get the chance. . . .

Can a Young Writer Speak?

By Kelly Jarman

Jan Zwicky claims in her essay “The Ethics of the Negative Review” that a negative review is a “Squelching of self and creativity,” but for me my first semblance of a negative review was a grand inspirational moment, a first milestone to becoming a writer. Someone had taken my work to be worth criticizing on a higher level than mere feedback and deemed it to be worth spending the time to criticize. That was a great compliment. . . .

10 Rules for Submitting

By Christina Cooke

Taking a page out of the Globe and Mail’s column on “10 rules for writing” (who took a page out of the Guardian’s “Rules for writers” series, who took a page out of Elmore Leonard’s 10 Rules of Writing . . . I feel like I’m following the yellow-brick road . . . ), here are ten suggestions on submitting. Sending your prized brainchildren to far-off publications may seem daunting, so hopefully this list will ease some of that confusion and anxiety. . . .

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