Stop! Look! Listen! Britt Corcoran’s Listening Recommendation
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I've been returning lately to …And They Have Escaped the Weight of Darkness by Ólafur Arnalds. It's an album I write to—not as background, but as a kind of formal pressure. The compositions move patiently, through repetition and small tonal shifts rather than dramatic change, and I'm drawn to work that trusts atmosphere over event, accumulation over arrival.
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Patty Loveless has provided the soundtrack of my life. My highs and lows, my triumphs and heartache (I’ve been there before), my country roots, and my big dreams have all been reflected in her songs. How lucky I’ve been to listen along! And yet, until recently, I’d not paid as much attention to a key part of her oeuvre.
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For me, one of life’s great joys will always be discovering a song that makes sense of the moment in time I find myself existing in. Whether that moment calls for raucous dancing, ugly crying or an urgent rally cry. Indeed, it is the latter I gravitate towards these days. Once I find that perfect feeling encapsulated in song, I play it on repeat for weeks.
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Notes on Ada Lea’s “When I Paint My Masterpiece”
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A mostly instrumental form of music like jazz isn’t the most immediate artistic vehicle for political engagement.
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Roadrunner Roadrunner / going faster miles an hour
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Ask me about my favourite record and I’ll tell you it’s The Nightfly
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Ripples in air, soft and immense. Bells curl round a hillside to be cradled in an ear. Small animals worry their paws. A dazzle of piano, a glittery sheet of salt water. A cart lopes along a country road. Ghosts play ping-pong. Cascades from outer space. Some strange vessel encircles us in a scalded wood.
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I feel seen when listening to the gift that is American punk/alt band Mannequin Pussy. Their entire discography is a progression of artistic and musical truth, with each release becoming more unflinchingly personal and exquisitely composed than the last—but their 2024 album I Got Heaven is my personal favorite.