Welcome to our Stop! Look! Listen! Music page! Here you'll find what our editors, contributors, and readers are currently listening to in short, snapy recommendations and raves. You'll also find the occasional playlist and other musical features. All contributions welcome — please get in touch to let us know what you're listening to!
Though it was only released a month ago as I write this, Kelela’s album Raven has been on constant rotation: whether it’s the summery “On the Run,” the piercingly erotic “Sorbet,” or the emotionally expansive “Enough for Love.” Her fusion of R&B, house, and electronica is like no one else. Unlike a lot of contemporary albums, I tend to listen to Raven from start to finish. It asks you to immerse yourself.
I often listen to the same album on repeat when I’m engaged in intense writing sessions – the rhythmic familiarity seems to provide the perfect level of inspiring-but-not-too-distracting background noise. The album I’ve listened to the most over the past couple of years, and that I always recommend to others, is my fellow Winnipegger, Begonia’s, Fear, which she released in 2019.
Every few years, I become fixated on an album and listen to it on repeat until my husband, children and cat are all desperate for reprieve. During the winter of 2021, Lotta Sea Lice was that album. A collaboration between speak-singing indie darlings Kurt Vile and Courtney Barnett, it’s a subtle, well-crafted album that’s perfect to write to — it plods along pleasantly in the background until, one day, you realize that the songs are sneaky earworms and you never feel like listening to anything else.
A year ago, I moved to another continent just as COVID-19 was finding its feet (sorry, Mum and Dad). Stuck indoors for months and unable to connect to my new surroundings, I found myself seeking out and appreciating Canadian content more than I had when I was home. I began listening more and more to young Canadian artists – Faouzia and Scott Helman, in particular.
Catherine A. O'Toole's Music Recommendation
Bakar is an artist and musician living and working in London, England. I tripped over his music early on in the pandemic and it was exactly what I needed and continues to be. He released this EP, Will You Be My Yellow? in September of 2019.
Jessamyn Hope is the author of the novel Safekeeping—winner of the J. I. Segal Award and a finalist for the Paterson Fiction Prize and the Ribalow Prize. Her short stories and essays—originally published in Ploughshares, PRISM International, Descant, and elsewhere—have been selected for Best Canadian Essays, two Pushcart Prize honorable mentions, and a Best American Notable. Her short story "Verified Purchase" is featured in the 2022 autumn issue of The Fiddlehead. She grew up in Montreal and lives in New York City.
Acadia Currah (She/They) is an essayist and poet residing in Vancouver, British Columbia. Their work explores her relationship with gender, sexuality, and religion. She is a leather-jacket-latte-toting lesbian, her work seeks to reach those who most need to hear it. Their work has appeared in The Spotlong Review and Defunkt Magazine and her essay "Femme Fatales and The Lavender Menace" was featured in the 2022 creative nonfiction issue of The Fiddlehead.
Anna Moore is a poet and barbell enthusiast from Vancouver Island. Her poetry is featured in the new autumn issue of The Fiddlehead.
Spencer Knight is a queer writer living in Edmonton, Alberta. His flash and not-so-flash nonfiction stories have appeared in Saltern Magazine, filling Station, and The Bolo Tie Collective Anthology: Volume I. His essay "Snuff" will be featured in the soon to be published Autumn issue of The Fiddlehead. Pre-order your copy of the Autumn issue today!
