Category: Music

Music recommendation from author Dustin Hoffman. 

Dustin M. Hoffman is the author of the story collections One-Hundred-Knuckled Fist (winner of the 2015 Prairie Schooner Book Prize) and No Good for Digging (Word West Press). He painted houses for ten years in Michigan and now teaches creative writing at Winthrop University in South Carolina. Hoffman's short fiction A Sky So Sharp was published in issue no. 285 of The Fiddlehead. 

Geneviève Paiement’s poetry, journalism and essays have appeared in Seneca Review, Tupelo Quarterly, the Literary Review of Canada, the Malahat Review, the New York Times, and elsewhere. She is a Canada Council for the Arts grant recipient and a candidate in the University of Guelph’s Creative Writing MFA program. Her Instagram is @manygenderedmompoems.  

Gordon Lonethunder's poem The Garden of the Pysbytery at Neunen appears in issue No. 281 (Autumn 2019). Click "Read More" to access his music recommendation!

The most engaging musicians for me lately, are ones who have perfected the art of music as Trojan horse. Unleashing their rage from within a perfect overlay of pop, R&B, or Indigenous drumming, Janelle Monáe, King Princess, Eastern Owl, and U.S. Girls, create sublime melodies and catchy hooks that tackle an array of topics not often captured in song.

Megan Denton Ray's poem "As In Blackjack" appears in issue No. 279 (Spring 2019). Click "Read More" to access her music recommendation!

Mikka Jacobsen 's essay "Parlour Tricks" appears in this fall's Creative Nonfiction issue. 

Jeanie Keogh's essay "Somewhere Over Greenland" appears in this fall's Creative Nonfiction issue. What does she "put on when story ideas are hatching"? 

Šari Dale tells us why she recommends listening to Soccer Mommy's 2018 album Clean.

Look for Šari's essay "Eulogy for Pale Lilies" in this fall's all-creative nonfiction issue, edited by Alicia Elliott. 

Lately I have been listening to John Cage's strangely delightful and thoughtful sonatas as performed by Boris Berman. They are very short, running between two to four minutes. There are sixteen sonatas and four interludes, so even after some twenty-five listens I still don’t feel like I can encompass the scope of the music.