Posted on May 15, 2017
By Ross Leckie, Editor.
I first came to the poetry of Norman Dubie as a student lurking in second-hand bookstores, finding bedraggled copies of his books, and taking them home with me. Well, I did pay for them, and then they paid me back. “These poems are as simple as ice,” I thought. Then I thought, “These poems are as damned complicated as ice. Slippery too.” If the devil is in the details, then so are the many gods of the living and the dead, and how we speak to them.
Posted on May 10, 2017
Dominique Bernier-Cormier's poem "Fabric" won the Ralph Gustafson Prize for Best Poem as part of The Fiddlehead's 26 annual literary contest. You can read an interview with Bernier-Cormier here.
October 31st, 2016
Posted on April 19, 2017
By Jenna Albert
Dominique Bernier-Cormier's poems have recently appeared in The Malahat Review, The Puritan, and Poetry is Dead, and won honourable mentions in CV2's Young Buck Poetry Prize in 2015 and 2016. His first chapbook, Englishing, will be published this spring by Frog Hollow Press.
Editorial Assistant Jenna Albert conducted this interview by email in mid-March.
Jenna Albert: First of all, congratulations on winning the 26th Annual Ralph Gustafson Poetry Contest. You must be ecstatic!
Posted on April 18, 2017
This past weekend, Fiddlehead contributor Doyali Islam was on CBC's Sunday Morning talkiing with Michael Enright about "her childhood, the role of poetry in political resistance, and why she became a practitioner of parkour." As part of the discussion, she read "poem for your pocket," which we published last Autumn (The Fiddlehead, no. 269)!
You can listen to the interview here!
Posted on September 21, 2016
By Rachel Rose
Three writers: Birgül Oğuz, Karen Villeda, and Betsy Warland. Three different countries: Turkey, Mexico, Canada. Each writer grapples with gender and identity, with loss, with the limits of language, with persistence against the conspiracies of silence, with responding to violence as part of the quotidian, as part of civilian life. On the surface these writers appear to have little in common, and yet their answers, though written separately and thousands of miles apart, seem part of the same conversation.
Posted on August 16, 2016
Very recently, The Atlantic published “The Greatest Poet Alive: The Feral Genius of Australia’s Les Murray,” a gushing, appreciative overview of Murray’s career disguised as a review of his latest book Waiting for the Past. It is far from alone in its adoration of Murray’s distinguished career. Though he does have his detractors, and he was a major figure in Australia’s “poetry wars,” his name is regularly included on lists of potential Nobel Prize winners, and Joseph Brodsky’s claim that Murray is “quite simply, the one by whom the language lives” is oft-quoted.
Posted on August 16, 2016
I was thrilled to work with Katie Fewster-Yan to select poems from across the career of Mary Jo Salter. Together we debated, tussled, and celebrated over the choosing of this selection, which we hope you will enjoy.
Posted on May 28, 2016
By Robert Norsworthy
Michael Eden Reynolds has won our 25th annual Ralph Gustafson Prize for Best Poem for "False Dichotomy or Monocot." Michael Eden Reynolds’ first book, Slant Room, was published by PQL in 2009. His second manuscript, Elsewhere Thought Known, has already been published in a parallel universe. Michael lives in Whitehorse where he works as a mental health/addictions counsellor.
Posted on December 10, 2015
By Emily Skov-Nielson
Rachel Rose's poems "Corona for Charlotte," "Good Measure," and "Sunflowers" appeared in The Fiddlehead Autumn 2015 issue.
Rachel Rose is currently Vancouver’s Poet Laureate. She has published four collections of poetry: Giving My Body to Science, Notes on Arrival and Departure, Song and Spectacle, and most recently, Marry & Burn. She is also a short story writer and an essayist whose work has been published in literary magazines and anthologies across Canada and the United States. Her poem, “Sunflowers” (among others), is featured in The Fiddlehead Autumn 2015 issue.
Photograph by Thomas Langdon
Posted on November 24, 2015
Frances Firth Gammon, one of the founding members of The Fiddlehead, has passed away at the age of 97. There will be a memorial at the Alumni Memorial Building (3 Bailey Dr.) on the UNB campus on November 29th at 4.30 p.m.