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Word Feast: Fredericton's Literary Festival presents Amanda Jernigan and Rachel Lebowitz as they launch new books.

Congratulations to all the nominees for this year's National Magazine Awards, but especially to two Fiddlehead contributors Tammy Armstrong and Dominique Bernier-Cormier for being finalists in the Poetry category! Congrats also to our Creative Nonfiction editor Alicia Elliott as well for her nomination in the Essays category for "On Seeing and Being Seen: Writing with Empathy."

Join Fredericton’s Cultural Laureate, Ian LeTourneau, as he leads a panel of three local poets —Triny Finlay, M. Travis Lane, and Ross Leckie — with readings and discussion at the Fredericton Public Library on Thursday, April 26 from 7 – 8:30pm in the River Reading Room.

Triny Finlay is the author of two collections of poetry, Spitting Off (2004) and Histories Haunt Us (2010), both published by Nightwood Editions. Her most recent publication is the forthcoming chapbook, You Don’t Want What I’ve Got.

By Colin Johnson    

Matthew Hollett’s poem “The Day After the Best Before” has won The Fiddlehead’s 2018 Literary Contest Ralph Gustafson Prize for Best Poem. This interview was conducted over e-mail by Editorial Assistant Colin Johnson in the first weeks of March 2018 and has been edited for clarity.

The final Saint Mary's reading of the 2017-18 season features Fiddlehead poetry editor Ian LeTourneau and Tammy Armstrong. They will read from their recent Frog Hollow Press chapbooks at 7pm on April 18.

The penultimate Odd Sunday of the season takes place April 15, 2018 at Corked Wine Bar, 83 Regent St. at 2 pm. The two featured readers this time are Bren Simmers and Catherine Owen.

By Sarah Howden

Kate Osana Simonian has won The Fiddlehead’s 27th annual Short Fiction Prize for her story “The Press.” The following interview was conducted via email with Editorial Assistant Sarah Howden in March 2018.

Here's a picture of the recent books received at the office. What are you most looking forward to reading? Tell us! Go to the comment field below (or to Facebook or Twitter)!

By Kendra Guidolin

For four years, I studied two separate degrees: creative writing and dance. You can imagine the reactions I would receive as a double fine arts major, and the amount of questions I was asked about the combination of the two. But over the years of studying both, I noticed an overwhelming amount of connections between dance and literature. . . .