Fiction

The epigraph to Lisa Alward’s new story collection, Cocktail, is an epiphanic moment from Virginia Woolf ‘s To the Lighthouse, in which the artist Lily Briscoe strives to resurrect and memorialize her dead friend through painting her portrait. Moved to uncharacteristic emotion by a sudden realization of the brevity of life, Lily laments, “Was there no safety? No learning by heart of the ways of the world?

A recent read-turned-favourite is There’s No Such Thing As An Easy Job, written by Kikuko Tsumura and translated from the Japanese by Polly Barton. The narrator, burned out from her previous job, tries out a series of temp jobs with the caveat that they must be as undemanding as possible: “ideally, something along the lines of sitting all day in a chair”. Contrasted with our society’s focus on finding meaningful work, this premise is compelling from the start.

In Nicholas Herring’s first novel, his self-named protagonist, Herring, makes the following socioeconomic comment about lobsters: “You know, it wasn’t too long ago, you couldn’t get anybody to buy lobster. People used it as fertilizer in their gardens. Farmers would put it out on their rows. Eighty per cent of the market nowadays is cruise ships and casinos. The way I see it, lobster is just something people eat to distract them from the fact that they’re pissing their wages away” (260).

The Master and Margarita is a novel by Soviet writer Mikhail Bulgakov, written in the Soviet Union between 1928 and 1940 during Stalin's regime. It's about Satan who pays a visit to the Soviet intellectuals when he learns they don't believe in him.