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Fiction

Elizabeth Haynes's Music and Reading Recommendations

Posted on July 14, 2022

Elizabeth Haynes’s writing has appeared in magazines and anthologies, most recently You Look Good for your Age (U of A Press). Her story collection, Speak Mandarin Not Dialect (Thistledown Press) was an Alberta Book Award finalist. Her novel, The Errant Husband, will be published by Radiant Press in October, 2021. https://www.elizabethjhaynes.com/

Elizabeth's essay "Seventeen Postcards" is featured in the new Summer Creative Nonfiction issue of The Fiddlehead. Order your copy today!

Sena Moon's Reading Recommendation

Posted on June 28, 2022

Sena Moon is the recipient of the 2020 Pen/Robert J. Das Short Story Prize for Emerging Writers and the 2019 Boulevard Short Fiction Award for Emerging Writers. Her work has appeared in Quarterly West, Catapult, and Boulevard. She hails from Seoul, South Korea. 

Sena Moon's essay "This Is How You Let Go" is featured in the new Summer Creative Nonfiction issue of The Fiddlehead. Pre-order your copy today!

Pamela Yuen's Reading Recommendation

Posted on June 8, 2022

Pamela Yuen was born to Hong Kong migrants in rural Ontario. She is an expressive writing facilitator with the Toronto Writers’ Collective and serves as an executive committee member of Canadian Authors Association, Toronto Branch. Her recent work has appeared or is forthcoming in Savant-Garde, the Brooklin Poetry Society, and Brickyard. Her poem Dinosaurs was featured in the Spring 2022 issue of The Fiddlehead. You can visit her on twitter: @peameala. 

Sarah Moses' Reading Recommendation

Posted on May 25, 2022

Sarah Moses’ writing and translations have appeared in anthologies, chapbooks, and journals. She co-translated Sos una sola persona by Stuart Ross and Die, My Love by Ariana Harwicz, which was longlisted for the International Booker, among other prizes. Her first collection of stories is forthcoming from Quattro Books. Website: www.sarahdmoses.com. Sarah's story "A Trip Home" is featured in the new Spring issue of The Fiddlehead.

Sandra Nicholls' Reading Recommendations

Posted on May 17, 2022

Sandra Nicholls is the author of two books of poetry, The Untidy Bride and Woman of Sticks, Woman of Stones, and a novel, And the Seas Shall Turn to Lemonade. She also wrote the libretto for a chamber opera about a homeless man, with her husband, guitarist Roddy Ellias. Sleeping Rough was performed at Ottawa’s Music and Beyond Festival, and is available as a DVD. New projects include a second novel, The Ornamental Man, and a suite of songs about the pandemic, Not This Room. Her story, "From A Distance", is featured in the new Spring issue of The Fiddlehead. 

Simon Turner’s Reading and Music Recommendations

Posted on April 29, 2022

Simon Turner’s poetry has been published by Plenitude Magazine and bird, buried press. They participated in Arc Poetry Magazine’s 2020/21 poet-in-residence mentorship program, have had four plays staged in Peterborough, and a short story in We Shall Be Monsters (Renaissance Press). They live in Ottawa, masquerading as a PhD student. Simon's poem "It’s Almost Like a Fishy Mammal" is featured in the Spring 2022 issue of The Fiddlehead. Order your copy today!

Cindy King’s Reading Recommendation

Posted on April 25, 2022

Cindy King was born in Cleveland and grew up swimming in the shadows of hyperboloid cooling towers on the shores of Lake Erie. She currently lives in Southern Utah, where she don't know a butte from a bluff. She is an Assistant Professor of Creative Writing at Dixie State University. Cindy's poetry is featured in the new Spring 2022 issue of The Fiddlehead. Order your copy today!

Yasuko Thanh: Fiction Contest Editorial

Posted on April 21, 2022

The delicate interplay between past and present, what we carry with us, what we leave behind, and what others take from us is rendered in pitch-perfect prose in “The Makeweight Piece.” This story is set during a distant war in which the starving and the dying cling to art as prayer. As worship. As a way to define who they once were. So much heart is packed between the lines of a story whose tone is at once tightly focused and expansive that my own heart staggers and cracks open. As a reader I’m dying to be touched and amazed.

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