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Fiction Features

Yasuko Thanh: Fiction Contest Editorial

The delicate interplay between past and present, what we carry with us, what we leave behind, and what others take from us is rendered in pitch-perfect prose in “The Makeweight Piece.” This story is set during a distant war in which the starving and the dying cling to art as prayer. As worship. As a way to define who they once were. So much heart is packed between the lines of a story whose tone is at once tightly focused and expansive that my own heart staggers and cracks open. As a reader I’m dying to be touched and amazed.

Congratulations to Fiction Contest Winner Anne Marie Todkill!

We're excited to announce that Anne Marie Todkill is the winner of our 2021 Fiction Contest and $2000 prize! Her story The Makeweight Piece is featured in our Spring issue no. 291, which is available for pre-order now! 

Anne Marie Todkill has published poetry, short fiction, and creative non-fiction in various Canadian literary magazines. Her winning entry in The Malahat Review 2016 Novella Contest was anthologized in Best Canadian Stories 2017. Her first poetry collection, Orion Sweeping (Brick Books), will appear this spring.

Thank you to all who entered the fiction contest and congratulations to the fifteen finalists. And thanks again to our judge Yasuko Thanh!

Interview with Melanie Bell by Adrien Beaman

Melanie Bell holds an MA in Creative Writing from Concordia University. Her work has appeared in Cicada, Contrary Magazine, Huffington Post and other publications. She is the co-author of a nonfiction book, The Modern Enneagram, and her short story collection Dream Signs is forthcoming from Lost Fox Publishing. Her story A Limit to Growth was featured in the Summer Fiction issue of The Fiddlehead. 

Meet the Editors of the BIPOC Solidarities Issue - Shannon Webb-Campbell

As we receieve submissions for the upcoming BIPOC Solidarities special issue, we'll be featuring our wonderful team of editors who are working to bring the issue together. 

This special issue is meant as an opening, extending the invitation to BIPOC writers to transform the content and spirit of The Fiddlehead far beyond a single issue; this issue is a commitment to transformation and accountability.

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