Jen Ashburn is the author of the poetry book The Light on the Wall (Main Street Rag, 2016), and has work published in numerous venues, including The Writer’s Almanac, Pedestal and Whiskey Island. Her creative nonfiction essay Borax and Cornmeal was published in issue 286 of The Fiddlehead. She holds an MFA from Chatham University, and lives in Pittsburgh, PA.
Submissions are now open for our BIPOC Solidarities Special Issue! What conversations would you have in a room filled with fellow BIPOC writers? What stories would you write for one another that you have held back from publishing in a pervasively white literary industry? The Fiddlehead invites submissions of poetry, fiction, creative-nonfiction, and cross-genre innovations by racialized writers residing in the area known as Canada (citizenship not required). This includes writers who identify as Black, Indigenous, people of colour, and racialized writers who wish to push back against the BIPOC acronym.
Rose Maloukis is a poet and visual artist, with a BFA from Wayne State University, Detroit, Michigan. Her poetry was short-listed for the 2015 Montreal International Poetry Prize. She won 2nd place in Geist’s erasure poem competition. Her chapbook, Cloud Game with Plums was published in July 2020 by above/ground press. Her poem These Weeds was featured in issue 286 of The Fiddlehead.
Chafic LaRochelle holds a B.Sc in neuroscience and is a volunteer SAR Tech. He works as a freelance writer and lives with his wife Kaitlyn in Montreal. His creative nonfiction essay A Man, Without was featured in issue 286 of The Fiddlehead.
Angie Macri is the author of Underwater Panther (Southeast Missouri State University), winner of the Cowles Poetry Book Prize. Her recent work appears in Cherry Tree, NELLE, Sou’Wester and issue 286 of The Fiddlehead. An Arkansas Arts Council fellow, she lives in Hot Springs and teaches at Hendrix College. Find her online at angiemacri.wordpress.com.
