The UNB Reading Series Presents: Anita Lahey and Gerard Beirne Book Launch
Poets Anita Lahey and Gerard Beirne will be reading from, and celebrating, their most recent works Tuesday, February 21st, 8 pm at the Alumni Memorial Lounge.
Stop! Look! Listen! is your one-stop destination for The Fiddlehead's cultural engagement.
Poets Anita Lahey and Gerard Beirne will be reading from, and celebrating, their most recent works Tuesday, February 21st, 8 pm at the Alumni Memorial Lounge.
Poets Nick Thran and Ian LeTourneau will be reading from their most recent works Wednesday, February 15th, 8 pm at The Galleries in Memorial Hall.
Fiddlehead Editorial Assistant Kayla Geitzler had the opportunity to sit down with accomplished Canadian poet and current University of New Brunswick writer-in-residence Sue Sinclair in November 2011 and discussed some of the most intriguing and complex elements of her work.
By Sarah Bernstein
At my Jewish high school in Montreal, Mordecai Richler, of course, was a bit of a hero. Whether or not he liked it, and even though he relentlessly lampooned the Jewish community, he was still one of ours. February at our school was public speaking month. So, every February, the teachers compiled and distributed a list of quotations to all of us groaning, gawky teenagers — possible speech topics from which we were to choose. . . .
Poet, novelist, and short-story writer Steven Heighton will be reading from his new novel, Every Lost Country, on Wednesday, November 23rd, 2011 at 8 pm in the Alumni Memorial Lounge.
The Writers Trust of Canada is accepting submissions for RBC Bronwen Wallace Award for Emerging Writers. To be eligible a submitter must be a Canadian citizen or permanent resident, under the age of 35, unpublished in book form and without a book contract, but whose literary work has appeared in at least one independently edited magazine or anthology.
By Christina Cooke
Commendations on the novel’s thematic triumphs need not be contrived by this humble author as institutions such as The New Yorker, Guardian and Financial Times have safely lionized this text as one of the most celebrated of the past two decades. But the most striking yet undervalued aspect of White Teeth, from my reading, is Smith’s awareness of the constrictions placed upon writing by those reading it — of the insistent and insufferable question demanded ad naseum, “but what does this mean?" . . .