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A Coffin full of Books
Bohumil Hrabal’s ninety-eight page novel Too Loud a Solitude opens with the following two sentences: “For thirty-five years now I’ve been in wastepaper, and it’s my love story. For thirty-five years I’ve been compacting wastepaper and books…”
Is a poet’s life the support for poetry, or is poetry a support for the poet’s life? As much as Santoka Tenada, a mendicant Zen priest and haiku poet of the twentieth century, tried to live a good life according to the Tao, his inveterate love of sake and general need to carouse left him with poetry as the only means of perfecting what he was unable to perfect in life: mainly, the thing in us that wants to be better, the thing which, for a host of competing reasons, we are usually unable to achieve in life.
I’ve read a lot of great and varied books this year so far, everything from queer romance noir fantasies to nonfiction about moss, but the work that has stuck with me the most is You Could Make This Place Beautiful by Maggie Smith.
Don Quixote!
I have already read it 28 times, in English, French (once), and Spanish. Every time I read it, I dig a little bit deeper and discover a little bit more about the art of narrative and the craft of fiction.
Maybe it was the strange relationship to time the pandemic created, but at some point after this thing started I finally watched the movies of Andrey Tarkovsky. I say finally because, despite being a lifelong film lover, I’d never seen Ivan’s Childhood, Andrei Rublev, Solaris, Mirror, or Stalker.
The Resistance to Poetry by James Longenbach
As an admirer of rampant kinds of poetics, I first discovered this Longenbach volume shortly after its 2004 publication and was instantly struck by its refusal to make poetry accommodating, accessible, to evidence the strain so many other poetics texts possess in their aim to convince the reader of the genre’s palatability, transparency, likeability.
I’m a worrier. I worry when I see someone holding a smart-phone up to a baby rather than endure a little fussing, and I worry when another Dad says he puts his kids to bed telling them to amuse themselves with the iPad until they’re tired. Algorithms appear to be designed to give people more of the same, so that we become more entrenched, both in terms of the arts and our political views, even aside from the way scrolling wrecks our ability to concentrate and, you know, read a book.
Was it a coincidence that Jason Purcell’s debut poetry collection Swollening arrived in the mail two hours before I tested positive for COVID19? I’d like to think that this was their way of easing me into a week of fever/hacking cough/burning throat and making things just a little bit better. I’m not a person who isolates easily. I thrive in constant companionship and surrounding myself with people who have to put up with my inane ramblings about writing. That’s where Swollening became my friend.
Jiro Asada is my favourite writer. Unfortunately, only a handful of his books are translated into English. One of them is “The Stationmaster,” a collection of his short stories. It was also made into a film, The Railroad Man, in 1999.
George McWhirter's story "The Accidental Separatist" appeared in the Winter 2023 issue of The Fiddlehead.
