Here is where we’ll bring you coverage of books. General criticism, reading lists, editorial picks, and much more!
“A student of morning”
Daystart Songflight: A morning journal, Brian Bartlett. Pottersfield Press, 2021.
Susan Olding is the author of Pathologies: A Life in Essays, and Big Reader. Her writing has won a National Magazine Award and appeared in journals and anthologies including The Malahat Review, The New Quarterly, and the Utne Reader. Her story "Wish You Were Here" was featured in issue 289 of The Fiddlehead. She lives with her family in Victoria.
Marco Melfi is a graduate of Simon Fraser University’s The Writer’s Studio. His poems have appeared in The Antigonish Review, The New Quarterly, Prairie Fire, The Arc Award of Awesomeness, Funicular, and FreeFall. His chapbook, In between trains, was published in 2014 and his poem "The Faulty Porch Light" won The Fiddlehead's 2021 Ralph Gustafson Poetry Contest. He lives in Edmonton on Treaty 6 Territory.
John Barton’s books include Polari, We Are Not Avatars: Essays, Memoirs, Manifestos, and The Essential Douglas LePan, which won a 2020 eLit Award. Lost Family, his twelfth book of poetry, was nominated for the 2021 Derek Walcott Prize. His poetry was most recently featured in The Fiddlehead in the Spring 2022 issue. He lives in Victoria, where he is the city’s fifth poet laureate.
Pamela Yuen was born to Hong Kong migrants in rural Ontario. She is an expressive writing facilitator with the Toronto Writers’ Collective and serves as an executive committee member of Canadian Authors Association, Toronto Branch. Her recent work has appeared or is forthcoming in Savant-Garde, the Brooklin Poetry Society, and Brickyard. Her poem Dinosaurs was featured in the Spring 2022 issue of The Fiddlehead. You can visit her on twitter: @peameala.
Judy LeBlanc’s collection of short stories, The Promise of Water was published in 2017. Her work has appeared in numerous Canadian literary journals, most recently, Prairie Fire, and she’s currently completing a collection of personal essays.She lives on the unceded traditional territory of the K’ómoks First Nation. Judy's creative nonfiction essay "Beneath the Din" is featured in the Spring 2022 issue of The Fiddlehead.
Sarah Moses’ writing and translations have appeared in anthologies, chapbooks, and journals. She co-translated Sos una sola persona by Stuart Ross and Die, My Love by Ariana Harwicz, which was longlisted for the International Booker, among other prizes. Her first collection of stories is forthcoming from Quattro Books. Website: www.sarahdmoses.com. Sarah's story "A Trip Home" is featured in the new Spring issue of The Fiddlehead.
Will Richter's fiction has appeared or is forthcoming in The Threepenny Review, subTerrain, Arts & Letters, and Fiction International and was longlisted twice for the CBC Short Story Prize. His story "After the Crash" is featured in the new Spring issue of The Fiddlehead. He lives in Vancouver, BC.
Simon Turner’s poetry has been published by Plenitude Magazine and bird, buried press. They participated in Arc Poetry Magazine’s 2020/21 poet-in-residence mentorship program, have had four plays staged in Peterborough, and a short story in We Shall Be Monsters (Renaissance Press). They live in Ottawa, masquerading as a PhD student. Simon's poem "It’s Almost Like a Fishy Mammal" is featured in the Spring 2022 issue of The Fiddlehead. Order your copy today!
Anuja Varghese is a QWOC Pushcart-nominated writer based in Hamilton, ON. Her work appears in Hobart, The Malahat Review, Humber Literary Review, Plenitude Magazine, and others. She recently completed a collection of short stories and is working on a debut novel. Find her on Twitter, Instagram, or on the web. Her story "Stories in the Language of the Fist" was published in the The Fiddlehead BIPOC Solidarities issue. Order your copy today!
