visual-art

Omar Gandhi at the Beaverbrook Art Gallery

Editorial Assistant Douglas Walbourne-Gough interviewed April White about her illustrations of garbage that accompany Anna Swanson's poetry in their collaborative project, The Garbage Poems. April White's illustration, "A hum at the edge," will be paired with Anna Swanson’s poem, “Portals,” in the upcoming special 75th anniversary issue of The Fiddlehead that will be published in the spring. 

By John Reibetanz

Ironic that at the same time as Brexit is gathering momentum, the best exhibit I’ve ever seen on Turner should be mounted by the Caumont Centre d’Art in Aix en Provence. “Turner et la couleur” throws aside all the stereotypes of Turner as a flag-waving nationalist and — on two floors of rarely shown paintings and watercolours — reveals the intricacy and coherence of an internationalist’s imaginative vision.