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Excerpt from "Jamais Vu" by Julia Williams

Excerpt from Issue 300 (Summer Fiction 2024)

"Jamais Vu" by Julia Williams

They agreed that birthdays were ridiculous once you got past thirteen. Ditto Christmas. Instead, they developed a system of generalized reciprocity — a two-person Kula Ring, Amelia called it — swapping gifts only on holidays like Shrove Tuesday or St. Patrick’s Day.

Mildred’s sixteenth birthday — four months to the day after Amelia’s — they would observe by sneaking into the worst bar in the city. Which bar this was, they hadn’t decided. Until now.

An Interview with Clea Young

Editorial Assistant Jamie Kitt's Interview with Clea Young whose story "In Loco Parentis" was published in Issue 299 (Spring 2024)

— Clea Young’s stories have appeared in three volumes of The Journey Prize Stories, and she has twice been shortlisted for the award. Her first collection, Teardown, was published in 2016 with Freehand Books. Her second collection, Welcome to the Neighbourhood, is forthcoming with House of Anansi Press in 2025.

Stop! Look! Listen! Michael Caleb Tasker’s Reading Recommendation

There isn't enough Jim Harrison in this world. One of the few truly original writers of the last 20 years, he belongs to no school, and sits in a category and style uniquely his own. While he is sometimes compared, favourably and unfavourably, to Ernest Hemingway because they both write about Michigan and, sometimes, fishing, the comparison makes as much sense as linking Hemingway with Cervantes because they both write about Spain. 

Manahil Bandukwala: Love as a Driving Force. Rewview of A Dream Wants Waking by Lydia Kwa

Love as a Driving Force by Manahil Bandukwala

A Dream Wants Waking, Lydia Kwa. Wolsak & Wynn, 2023

Lydia Kwa’s A Dream Wants Waking promises a dreamlike narrative through its title and cover, and the short novel certainly delivers. The book opens with a list of characters from the past timeline in Tang China from 644-904 CE and the present timeline of Luoyang in 2219 CE. Told through short chapters that switch back and forth at a rapid pace, Kwa immediately immerses the reader into both timelines of the story.

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