non-fiction

Submissions are now open for our BIPOC Solidarities Special Issue! What conversations would you have in a room filled with fellow BIPOC writers? What stories would you write for one another that you have held back from publishing in a pervasively white literary industry? The Fiddlehead invites submissions of poetry, fiction, creative-nonfiction, and cross-genre innovations by racialized writers residing in the area known as Canada (citizenship not required). This includes writers who identify as Black, Indigenous, people of colour, and racialized writers who wish to push back against the BIPOC acronym.

Rose Maloukis is a poet and visual artist, with a BFA from Wayne State University, Detroit, Michigan. Her poetry was short-listed for the 2015 Montreal International Poetry Prize. She won 2nd place in Geist’s erasure poem competition. Her chapbook, Cloud Game with Plums was published in July 2020 by above/ground press. Her poem These Weeds was featured in issue 286 of The Fiddlehead. 

Anthony Purdy lives on the South Shore of Nova Scotia, where he started writing in 2019. Recent publications include stories in the Spring and Summer 2020 issues of Queen’s Quarterly as well as poems in The Goose, Prairie Fire, The Dalhousie Review, and Queen’s Quarterly. He is a member of the Writers’ Federation of Nova Scotia and an Associate Member of the League of Canadian Poets. His poem, mornings, received an honourable mention in the League of Canadian Poets’ 2021 Very Short Verse contest and appeared in the May 21 edition of Poetry Pause. His poem, bakery, was shortlisted for the Writers’ Federation of Nova Scotia Spring 2021 Postcard Poem contest. Literary writing offers him new ways of exploring some of the concerns and questions that animated his research and teaching in recent years in fields as various as nephology and meteorology; natural history and the environment; material culture and the museum; cultures of memory and the archive; the archaeological imagination. You can read his poem, The subtle tumour in issue no. 286 of The Fiddlehead.    

Emira Tufo is a Bosnian Canadian writer based in Montreal. She is the recipient of the 2019 CBC/Quebec Writers’ Federation Writer in Residence award. Her essays have appeared in The Globe and Mail, the Montreal Gazette and on CBC. Her storytelling has been featured on the Confabulation and Volume Knob podcasts. Emira's nonfiction essay Heroes was published in issue no. 286 of TheFiddlehead. 

Robert Hilles won the Governor General’s Award for Poetry for Cantos from A Small Room. His latest poetry book is Shimmer. His novel Don’t Hang Your Soul on That will be published in 2021. 

Jennifer Bowering Delisle (she/her) is the author of Deriving, a poetry collection, and The Bosun Chair, a lyric family memoir. She is on the board of NeWest Press, and teaches creative writing. She is a settler in Edmonton/Amiskwaciwâskahikan/Treaty 6 territory. Find her at www.jenniferdelisle.ca or @JenBDelisle. Jennifer's nonfiction piece Theory of Mind is featured in The Fiddlehead issue 287. Order your copy today!

The Fiddlehead's 2021 Creative Nonfiction contest is now open and we're excited to announce that Chelene Knight will be judging this year's submissions! 

Tanis MacDonald lives in Waterloo, Ontario, and is curious. She is most recently the author of Mobile (Book*hug 2019). Tanis MacDonald's poetry has appeared in several issues of The Fiddlehead over the years. Most recently, her poem Other Fish was published in our sold out autumn issue No. 285. 

We're so excited to announce the launch of Arrivals and Departures: Objects | Food | Memories, the second in the Arrivals & Departures chapbook series! Arrivals and Departures emerges from two Fiddlehead-sponsored "Writing for Newcomers" workshops. The Fredericton workshop, Eat, Drink, Write, took place at the Multicultural Centre on November 2, 2019, and was facilitated by Salar Ghatta. The Halifax workshop, Arrivals and Departures: Objects, Memories and Transitions, was at Pier 21, the Canadian Museum of Immigration, on August 2, 2019. It was facilitated by Anthazia Kadir.