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Stop! Look! Listen! Jen McClanaghan's Reading Recomendation

I taught a class called Cotton at my New England university. In the course, we discussed the history of the crop, of the land, and the America commercial traditions of management, capital, and mortgaging, all of which came into being with plantation slavery. We wrote formal poems in response to contemporary news stories in which black men and women were being violently erased. At the end of the semester, my students pieced together a quilt.

Congratulations to Creative Nonfiction Contest Winner Anne Marie Todkill!

We're excited to announce that Anne Marie Todkill is the winner of our 2023 Creative Nonfiction Contest and $2000 prize! Her essay "Storm Damage" is featured in the upcoming autumn issue of The Fiddlehead (no.297).

Anne Marie Todkill’s story “The Makeweight Piece” won The Fiddlehead’s 2021 fiction contest and appeared in issue no. 291. Her book of poetry, Orion Sweeping (Brick Books), was shortlisted for the 2023 Gerald Lampert Memorial Award. “Storm Damage” is from a collection of essays in progress.

Stop! Look! Listen! Laboni Islam's Book Recommendation

Birds Art Life: A Year of Observation by Kyo Maclear 

A few days ago – which will be many days ago by the time you read this – I watched robins, red-winged blackbirds, mallards, and a pair of swallows darting through shadows making them difficult to identify. Birds Art Life is a book I’ve read and re-read, in times of difficulty and in times of relative ease. It always brings me comfort.

Stop! Look! Listen! Richard Tillinghast's Book Recommendation

Forster (1879-1970) is one of my favorite novelists, and I particularly like Howards End. The film version starring Emma Thompson, Anthony Hopkins and Helena Bonham-Carter is superb, and it captures some of the subtlety of perception and insight of the novel itself. The same might be said of A Room with a View, also adapted to the screen. Forster’s work shares some similarities with Virginia Woolf’s work, particularly with Mrs. Dalloway and To the Lighthouse. Both novelists are as much concerned with sensibility as with incidents, the building blocks of plot. Though both outlived the Edwardian age—Woolf died in 1941, Forster in 1970—and even though Woolf is commonly spoken of as a modernist, I think there is something Edwardian about both their sensibilities. Both treat emotional states and the shared opinions that typify particular social classes in particular historical periods almost as a painter would do—as colours, tones, atmospheres. Clearly both of them write with something of a poetic feeling. 

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