The Human Cost: A Review by Ian Colford of Norm Boucher's "Horseplay: My Time Undercover on the Granville Strip"
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The Human Cost
Horseplay: My Time Undercover on the Granville Strip, Norm Boucher. NeWest Press, 2020
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The Human Cost
Horseplay: My Time Undercover on the Granville Strip, Norm Boucher. NeWest Press, 2020
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This year's highly anticipated Creative Nonfiction issue of The Fiddlehead is now available for pre-order!
The issue, edited by Rowan McCandless, is dedicated to Creative Nonfiction and features exceptional work from authors such as Fiona Tinwei Lam, Megan Cole, Sena Moon, Tanis MacDonald, Isabella Wang and many more!
Pre-orders will be in the mail by the end of July. Don't miss your chance to reserve a copy today!
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David Folster was a journalist, social historian, and heritage and conservation activist from Fredericton, New Brunswick. He wrote for a wide assortment of magazines and newspapers including the Globe and Mail, Maclean's, Sports Illustrated, Canadian Geographic, and the Christian Science Monitor. He was a frequent contributor to CBC Radio and Television programs. He is also the author of The Great Trees of New Brunswick and The Chocolate Ganongs of St. Stephen, New Brunswick, a narrative history of the business that was shortlisted for the 1990 Canadian Business Book of the Year Award.
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The delicate interplay between past and present, what we carry with us, what we leave behind, and what others take from us is rendered in pitch-perfect prose in “The Makeweight Piece.” This story is set during a distant war in which the starving and the dying cling to art as prayer. As worship. As a way to define who they once were. So much heart is packed between the lines of a story whose tone is at once tightly focused and expansive that my own heart staggers and cracks open. As a reader I’m dying to be touched and amazed.
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A Song of Despair or Hope?
As Far as You Know, A. F. Moritz. Anansi, 2020
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Nothing into Nothing
I Will Be Corrupted, Joseph A. Dandurand. Guernica Editions, 2020.
In the poem, “Whisper from you,” Joseph Dandurand rants about “one ass of an editor” (this is in the very last poem of this fine collection and presumably there for a reason), who tells him he should “add some imagery to [his] work.” I actually laughed out loud.
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The Faulty Porch Light by Marco Melfi - Winner of the 2021 Ralph Gustafson Poetry Contest
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Last Things
Field Requiem, Sheri Benning, Carcanet, 2022