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Emily Skov-Nielsen: “What am I / Water’s Bitch?” Review of Wet Dream by Erin Robinsong

While considering my sprawl of notes from my reading, and re-reading, of Erin Robinsong’s second full-length book of poetry, Wet Dream, and wondering how to begin this review, I called to mind the following quote from Lewis Carroll’s Alice in Wonderland:

“Curiouser and curiouser!” Cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English), “now I’m opening out like the largest telescope that ever was!”

Kevin Bushell: Poetry — not a jeux des mots but a weapon used to battle for historical truth, Review of The Ventriloquist: Poetic Narratives from the Womb of War by Gary Geddes

The current geo-political events in Ukraine make the release of Gary Geddes’ latest collection, (The Ventriloquist: Poetic Narratives from the Womb of War (Rock’s Mills Press), all the more timely. Geddes has gathered in this one collection four previous books on the theme of war: Letter of the Master of Horse (1973), War & Other Measures (1976), The Terracotta Army (1984), and Hong Kong Poems (1987).

Interview with Melody Wilson

Editorial Assistant Rosie Leggott’s Interview with Winter 2023 Contributor Melody Wilson
Rosie Leggott: Do you write all of your poems based on personal experience, or do you ever draw on the experiences of others that you are passionate about? When do you know that you will write about something? Is it in the moment (as it appears with Postmodern Pedestrian), or is it more reflective (as it appears in Hand Me Down)?

Congratulations to Poetry Contest Winner Moni Brar!

We're excited to announce that Moni Brar is the winner of the 2022 Ralph Gustafson Poetry Prize! Her poem “Dispossession in Five Acts [or How to Be a Model Minority or Not]” will appear in the Spring 2023 issue of The Fiddlehead

Moni Brar was born in rural India and raised in northern BC on the land of the Tse’Khene. She is the winner of the 2022 Lieutenant Governor of Alberta Emerging Artist Award and a finalist for the Montreal International Poetry Prize. She believes art contains the possibility of healing.

Susan Haley: a collection of confessional poetry, Where the Sea Kuniks the Land, Ashley Qilavaq-Savard.

What is the source of joy we find in poetry? That thing that caused the prickle of A.E. Housman’s beard, that transfixed Anne of Green Gables in her desk when the teacher read Tennyson’s line, “The horns of Elfland faintly blowing.” It is what comes not from going about the woodland to see the cherry hung with snow, but evoking it in those very words, and with the delicate metaphor implied.

Gary Barwin: Not so much unfinished as continuing to arrive, Unfinishing, Brian Henderson.

I hesitate to say a book is wise — that seems dangerous — but this book is wise. However, the wisdom in Unfinishing comes not from marble-carveable or Instagram-shareable truisms but from careful attention not only to the world and life as it is experienced but to attention itself. The poems enact a deep mindfulness — to metaphysics and to the process of thinking. Henderson evokes the flux and fluidity of consciousness: our experience of time and memory.