reviews

Love as a Driving Force by Manahil Bandukwala

A Dream Wants Waking, Lydia Kwa. Wolsak & Wynn, 2023

Lydia Kwa’s A Dream Wants Waking promises a dreamlike narrative through its title and cover, and the short novel certainly delivers. The book opens with a list of characters from the past timeline in Tang China from 644-904 CE and the present timeline of Luoyang in 2219 CE. Told through short chapters that switch back and forth at a rapid pace, Kwa immediately immerses the reader into both timelines of the story.

Nestle In Words Like An Animal: The Poetic G/Rasp of Tongue, Throat, and Mouth in G by Kirby

G, Klara du Plessis & Khashayar “Kess” Mohammadi. Palimpsest Press, 2023.

First, let’s talk about the design/packaging of this book.

It’s exquisite. The colour palette, fonts, printed endpapers, on signature Coach House zephyr, readable text on the page. A book you want to pick up, hold, caress with the eyes and the touch. Congrats to in-house designer Ellie Hastings, editor Jim Johnstone, and publisher Aimee Parent Dunn. Finery.

“Junkyard Apocalypse”: Uneasy Ecopoems, Unhomely Homes by David Huebert

Kill Your Starlings, Tom Cull. Gaspereau Press, 2023.

Editorial assistant Tommy Duggan reviews Back to the Land of the Living by Eva Crocker (Anansi, 2023)

Eva Crocker’s Back to the Land of the Living begins with our protagonist Marcy Pike moving to pre-COVID Montreal from St. John’s on a journey of self-discovery and newfound independence.

In A knife so sharp its edge cannot be seen, Erin Noteboom merges her background as a particle physicist with poetry. She excavates intangible and indescribable moments from scientific experiments to blur lines between worlds that otherwise seem separate.

The Raw Light of Morning, Shelly Kawaja’s debut novel and winner of the $12,500 BMO Winterset Award in 2022 for outstanding literary work by a Newfoundlander or Labradorian, is at the same time a compelling story of domestic violence, poverty, and trauma, and a 1990s western Newfoundland coming-of-age character study of a young woman of remarkable resilience. This is Laurel’s story, and she is 14 in the opening scene, and forced to intervene to protect her mother from life-threatening violence.

Who can resist the title of this debut short fiction collection? Like cyclists in the eponymous event — a protest against fossil fuel consumption, among other things — Lisa Fishman’s 40 pieces, a collage of micro, flash fiction and narratives of greater length, flout convention. Vanity of vanities, the Pushcart Prize-nominated poet seems to say of the standard short story and its clothing/trappings.

The epigraph to Lisa Alward’s new story collection, Cocktail, is an epiphanic moment from Virginia Woolf ‘s To the Lighthouse, in which the artist Lily Briscoe strives to resurrect and memorialize her dead friend through painting her portrait. Moved to uncharacteristic emotion by a sudden realization of the brevity of life, Lily laments, “Was there no safety? No learning by heart of the ways of the world?

The natural disaster has been a trope in fiction (and movies) for decades. Usually what happens is that a group of strangers becomes isolated by an unexpected and massively destructive event. The ensuing drama chronicles the efforts of the unlucky individuals to cope with the challenges, dangers and deprivations they suddenly find themselves facing.