Posted on June 27, 2022
José Teodoro is a playwright, critic and essayist. His work has appeared in publications such as Brick, Film Comment, The Globe & Mail, and The Believer. He is currently adapting his play Cloudless for the screen and recording his tandem-narrative chamber opera Screen Door with composer-musician Stephen Lyons. His essay "Cul-de-sac" is featured in the new Summer Creative Nonfiction issue of The Fiddlehead. Pre-order your copy today!
Posted on June 15, 2022
Cassidy Menard's Music Recommendation:
Posted on May 31, 2022
Rebecca Rustin writes and ghostwrites internet and sometimes textbook copy, translates things from French to English, and loves trashy reality TV. Poems appear in PRISM, various rob mclennan outlets, the Rahila's Ghost chapbook Mercy Tax, and elsewhere. Her poem "A Little Learning" was published in the Spring 2022 issue of The Fiddlehead.
Posted on May 19, 2022
Sylvie Simmons, a Londoner living in San Francisco, is an award-winning author, journalist and singer-songwriter. Her books include a short-story collection Too Weird for Ziggy, and several biographies, including I'm Your Man: The Life Of Leonard Cohen. Her latest album is Blue On Blue, on Compass Records. Sylvie's short stories Story with no Story, Hide and Seek and There's A Dead Man In The Park are featured in the new Spring issue of The Fiddlehead.
Posted on May 12, 2022
Bob Armstrong (www.bobarmstrong.ca, Twitter: @bobarmsnovelist) lives in Winnipeg, where he writes long and short fiction and creative non-fiction and works as a speechwriter. He’s been a reporter, PR professional, playwright, performer and environment impact report writer. His second novel, Prodigies (Five Star/Gale), was published in 2021. Bob's story "The Cancer Joke" is featured in the new Spring issue of The Fiddlehead.
Posted on April 29, 2022
Simon Turner’s poetry has been published by Plenitude Magazine and bird, buried press. They participated in Arc Poetry Magazine’s 2020/21 poet-in-residence mentorship program, have had four plays staged in Peterborough, and a short story in We Shall Be Monsters (Renaissance Press). They live in Ottawa, masquerading as a PhD student. Simon's poem "It’s Almost Like a Fishy Mammal" is featured in the Spring 2022 issue of The Fiddlehead. Order your copy today!
Posted on March 31, 2022
Vivian Li is a writer and editor who enjoys exploring various artistic disciplines. Her works are forthcoming or published in Uncanny Magazine, CV2, and Vallum, among others. A MFA candidate at UBC, she currently edits for PRISM international, and can be reached on Twitter @eliktherain. Her poem "Soup Days, Pizza Dinners & Other Joyful Moments" was published in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
Posted on March 25, 2022
T. Liem is the author of OBITS. (2018). Her writing has been published in Apogee, Plenitude, Room, The Boston Review, Grain, Best Canadian Poetry 2018 and 2019, and elsewhere. She lives in Tio’Tia:ke / Montreal, unceded Kanien’kehá:ka territories. T. Liem's poetry, including “The Middle of No Where is Somewhere”, is featured in the BIPOC Solidarities issue of The Fiddlehead. Order your copy today!
Posted on February 24, 2022
Tamara Jong (she/her) is a Tiohtià:ke (Montréal) born writer and cartoonist of Chinese and Scottish ancestry. Her creative nonfiction essay "Lessons" was published in the BIPOC Solidarities issue of The Fiddlehead.
Posted on February 4, 2022
Jessie Loyer is Cree-Métis and a member of Michel First Nation. She's written for Apex Magazine, the Montreal Review of Books, Prairie Fire, CV2, Canadian Art, the Capilano Review and her poem "wahwâ" is featured in The Fidlehead's new BIPOC Solidarities Issue. She's also a librarian.
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