Category: Stop! Look! Listen!

Found 456 results: showing page 3 of 46.

Stop! Look! Listen! Dan Crosby's Reading Recommendation

Although not as well known as On The Beach or A Town Like Alice, and though published 65 years ago, Nevil Shute's modest masterpiece with the unassuming title, Trustee From the Toolroom, is very much a novel for our times, telling the story of a seemingly boring everyman who risks his life to travel to the other side of the world in order to assure an inheritance for his orphaned neice

Stop! Look! Listen! Kevin Andrew Heslop's Reading Recommendation

—Which, pugnacious drunkard, of course. And happened to write a fable of—First, let’s recall the plot: man catches fish sharks eat. Second—I’m already bored of—The endeavour for its own sake—a touchstone—rebuking critics as he the writer the sun of whose legend was also setting already.  And then of course there is the matter of style. 

Stop! Look! Listen! Mary Trafford’s Listening Recommendation

I believe in love at first sight. After all, I fell in love with my partner the second I saw her, and we’ve been together for almost four decades. I also believe in love at first listen. That’s how I felt about Joan Armatrading the first time I heard her magical blend of singing and songwriting, way back in the mid-1970s – pure, blissful love. 

Stop! Look! Listen! Margaret Watson's Listening Recommendation

If you haven’t discovered Matador yet, then it’s time. Lori Yates is an artist (singer and songwriter) who hales from Oshawa-Toronto-Nashville-Hamilton and recently Toronto again. According to her website, she is a “pioneer of Alternative-Country.” And Matador, her much-anticipated new release, is replete with songs reflecting on a life of experiences -- love, friendship, struggle, survival and mortality. 

Stop! Look! Listen! Jane C. Miller's Listening Recommendation

I am drawn to music with lyrics in languages I don’t understand, which allows me to hear, unmediated by meaning, the emotional synthesis and counterpoint of sound. Two of my favorites are Trio Mediaeval from Norway, and Mariza from Portugal. Isn’t our work as writers similar? We choose our words, not just for meaning, but for what their sounds make us feel. 

 

 

 

Current Issue: No. 305