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Kate Finegan's story "Blues Too Bright" won the fiction prize as part of The Fiddlehead's 26th annual literary contest. You can read an interview with her here.

Blues Too Bright

"Have you noticed the birds are shitting more lately?” Mother calls to ask. I wait for my eyes to focus and see that it’s six a.m. on the dot. I imagine she’s been sitting by the window since four, waiting for a reasonable hour to call. 

Dominique Bernier-Cormier's poem "Fabric" won the Ralph Gustafson Prize for Best Poem as part of The Fiddlehead's 26 annual literary contest. You can read an interview with Bernier-Cormier here. 

Fabric
October 31st, 2016

Very recently, The Atlantic published “The Greatest Poet Alive: The Feral Genius of Australia’s Les Murray,” a gushing, appreciative overview of Murray’s career disguised as a review of his latest book Waiting for the Past. It is far from alone in its adoration of Murray’s distinguished career. Though he does have his detractors, and he was a major figure in Australia’s “poetry wars,” his name is regularly included on lists of potential Nobel Prize winners, and Joseph Brodsky’s claim that Murray is “quite simply, the one by whom the language lives” is oft-quoted.

I was thrilled to work with Katie Fewster-Yan to select poems from across the career of Mary Jo Salter. Together we debated, tussled, and celebrated over the choosing of this selection, which we hope you will enjoy.