Kate Finegan's story "Blues Too Bright" won the fiction prize as part of The Fiddlehead's 26th annual literary contest. You can read an interview with her here.
Blues Too Bright
"Have you noticed the birds are shitting more lately?” Mother calls to ask. I wait for my eyes to focus and see that it’s six a.m. on the dot. I imagine she’s been sitting by the window since four, waiting for a reasonable hour to call.
Dominique Bernier-Cormier's poem "Fabric" won the Ralph Gustafson Prize for Best Poem as part of The Fiddlehead's 26 annual literary contest. You can read an interview with Bernier-Cormier here.
October 31st, 2016
This past weekend, Fiddlehead contributor Doyali Islam was on CBC's Sunday Morning talkiing with Michael Enright about "her childhood, the role of poetry in political resistance, and why she became a practitioner of parkour." As part of the discussion, she read "poem for your pocket," which we published last Autumn (The Fiddlehead, no. 269)!
You can listen to the interview here!
Very recently, The Atlantic published “The Greatest Poet Alive: The Feral Genius of Australia’s Les Murray,” a gushing, appreciative overview of Murray’s career disguised as a review of his latest book Waiting for the Past. It is far from alone in its adoration of Murray’s distinguished career. Though he does have his detractors, and he was a major figure in Australia’s “poetry wars,” his name is regularly included on lists of potential Nobel Prize winners, and Joseph Brodsky’s claim that Murray is “quite simply, the one by whom the language lives” is oft-quoted.