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Congratulations to Creative Nonfiction Contest Winner Jenny Hwang!

We're excited to announce that Jenny Hwang is the winner of our 2022 Creative Nonfiction Contest and $2000 prize! Her essay Silkworms is featured in the new Autumn issue of The Fiddlehead (no.293).

Jenny Hwang is a Korean-Canadian writer and mother. She has previously worked as an immigration lawyer and in refugee resettlement with Canada’s Private Sponsorship of Refugees program. She lives with her family in Mississauga, Ontario

Interview with Acadia Currah

Intern Brigitte Robichaud's interview with Acadian Currah about her essay "Femme Fatales and The Lavender Menace” from the summer creative nonfiction issue.

Acacadia Currah (she/they) is an essayist and poet residing in Vancouver, BC. Their work explores her relationship with gender, sexuality, and religion. She is a leather-jacket-latte-toting lesbian, her work seeks to reach those who most need to hear it. Their work has appeared in The Spotlong Review and Defunkt Magazine.

Excerpt from "Tabarnacle" by Ellen McGinn

Tabarnacle by Ellen McGinn

Excerpt

 

On the day, there is a darkness, raven black, on the far edge of the ocean, a soft settled line breaks the sky from the sea and the sea from the sky. Both summer blue, like twins. 

Do not start with darkness. Consider blackberry picking this afternoon. Consider a pie. The wasps going insane.

Greenland melts.

Australia is on fire.

Pre-Order the Summer Creative Nonfiction Issue Now!

This year's highly anticipated Creative Nonfiction issue of The Fiddlehead is now available for pre-order! 

The issue, edited by Rowan McCandless, is dedicated to Creative Nonfiction and features exceptional work from authors such as Fiona Tinwei Lam, Megan Cole, Sena Moon, Tanis MacDonald, Isabella Wang and many more!

Pre-orders will be in the mail by the end of July. Don't miss your chance to reserve a copy today! 

Yasuko Thanh: Fiction Contest Editorial

The delicate interplay between past and present, what we carry with us, what we leave behind, and what others take from us is rendered in pitch-perfect prose in “The Makeweight Piece.” This story is set during a distant war in which the starving and the dying cling to art as prayer. As worship. As a way to define who they once were. So much heart is packed between the lines of a story whose tone is at once tightly focused and expansive that my own heart staggers and cracks open. As a reader I’m dying to be touched and amazed.

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