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Lazar Trubman's Reading Recommendation

Lazarus Trubman is a college professor from the former USSR, who immigrated to the United States in 1990. In 2017, he retired from teaching to devote his time to writing. He’s been published in The Threepenny Review, Vestal Review, Lit Mag, Digging Press, Forge, Black Mountain Press and other publications. Keep an eye out for Lazar's story Toxic Susan in our upcoming Fall issue No. 285!

What Geneviève Paiement is Listening To

Geneviève Paiement’s poetry, journalism and essays have appeared in Seneca Review, Tupelo Quarterly, the Literary Review of Canada, the Malahat Review, the New York Times, and elsewhere. She is a Canada Council for the Arts grant recipient and a candidate in the University of Guelph’s Creative Writing MFA program. Her Instagram is @manygenderedmompoems.  

Elena Johnson's Reading Recommendation

Elena Johnson is the author of Field Notes for the Alpine Tundra (Gaspereau, 2015), a collection of poetry written at a remote ecology research station in the Yukon. A finalist for the CBC Literary Awards and the Bailey Prize, she lives in Vancouver, where she works as an editor and writing mentor. Her poem Casa Museo Manuel de Falla was featured in the Winter 2020 issue of The Fiddlehead

Check out Elena's reading recommendation; a novel she describes as a restful, intriguing and escapist read.

Kevin Spenst's Reading Recommendation

Kevin Spenst is the author of IgniteJabbering with Bing Bong (both with Anvil Press), and over a dozen chapbooks including Pray Goodbye (the Alfred Gustav Press), Surrey Sonnets (JackPine Press), and most recently Upend (Frog Hollow Press: Dis/Ability series). Two of Spenst's poem were featured in The Fiddlehead issue 282 (Winter 2020). He lives on unceded Coast Salish territory with the love of his life Shauna Kaendo.  

The Fiddlehead Supports Black and Indigenous Lives

The Fiddlehead recognizes the white supremacy at work in countries around the world, including Canada. We recognize its presence in literary culture, including our own organization, whose genre editors and staff are and have been predominantly white. We pledge to prioritize offering staff and editorial roles to Black, Indigenous and other equity-seeking people as these positions become available.

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